Hailing from Benin and based in Paris since she was 23, Angélique Kidjo can sing in five languages, has collaborated with an A-list festival line-up of global stars ranging from Alicia Keys and Philip Glass to Herbie Hancock and Peter Gabriel, and had her first albums released by Island, after being spotted by label head Chris Blackwell.

Ask someone in the early 2000s to predict which cities were going to be influential in electronic music in coming years, and it’s unlikely many would have picked Kampala, Uganda. But here we are.

Mdou Moctar is often dubbed as the “Hendrix of the desert”. He is not the first West African musician to be linked with African-American guitar stars.

Things got out of hand at theartsdesk on Vinyl this month and these reviews run to 10,000 words. That's around a fifth of The Great Gatsby. It's because there's so much good music that deserves the words, from jazz to metal to pure electronic strangeness.

Toumani Diabate, master of the 21-string kora, along with some other Malian musicians, collaborated on a symphonic concert at London's Barbican Centre in 2008. The orchestra in question were the London Symphony, who have often been open to working with musicians from outside the classical field.

Ballaké Sissoko is one of the greatest musicians in Africa – a kora player of extraordinary quality, strongly rooted in the Manding and family traditions that have nourished him. He’s also a born collaborator, with a sense of adventure that has resulted in very fruitful performances and recordings with musicians from his own culture as well as others from further afield.

Rumours keep swirling of pressing plants stumped by the effects of COVID-19 lockdown, and it’s true that vinyl editions of many albums have been delayed, yet still those records keep arriving. At theartsdesk on Vinyl, no-one cares if an album was streaming or out in virtual form months ago. Vinyl is the only game here and when those albums arrive, they are heard, and the best of them, from hip hop to Sixties pop to steel-tough electronic bangin’ to whatever else, makes it into 6000 words of detailed reviews. There’s no shortage of juice or opinion here. Dive in!

Theartsdesk is a labour of love. Bloody-mindedly run as a co-operative of journalists from the beginning, our obsession with maintaining a daily-updated platform for good culture writing has caused a good few grey and lost hairs over the years. But it has also been rewarding – and looking back over the 10 years of Disc of the Day reviews has been a good chance to remind ourselves of that. 

“Zanzibar, are you ready?” yells the singer from the stage.

There’s a huge cheer. It seems the crowd – and it is a crowd – is certainly ready. In shades, a flat cap and dreadlocks down his back, singer Barnaba Classic (pictured below left) is on stage at Zanzibar’s Sauti za Busara festival. Over from Dar es Salaam, Barnaba is a big star in Tanzania and is headlining the festival’s first night after seven hours of music.

Ten years ago yesterday, on Monday 14^th February 2011, one of theartsdesk’s writers, Joe Muggs, reviewed an album called Paranormale Aktivitat, by an outfit called Zwischenwelt. It was the first ever Disc of the Day, a new slot inserted into theartsdesk’s front page design, where it still resides today.