She has one of the most distinctive voices in folk and contemporary British music, impossible to forget once heard, and impossible to ignore. Even – or especially – as Linda Peters, singing, aptly enough, “I’ll Show You How to Sing” on a fairly obscure 1968 single with Paul McNeill.
Almost exactly five years ago, I was transported by Singing It All Back Home, the third album from Naomi Bedford and Paul Simmonds. I gave it four stars, which in retrospect was perhaps a little ungenerous. Now at last comes a new opus from the duo, Strange News Has Come to Town, the making of which was “a long march across hard ground”, obstacles including the pandemic, as well as personal health and money issues.
The mournful, lonesome voice of John Moreland from Bixby, Oklahoma, will be known by a few, but not many, in this country. The 12 songs on his latest album, Visitor, released on the Thirty Tigers label, should help to remedy that.
VINYL OF THE MONTH
Ariel Sharratt & Matthias Kom Never Work (BB*Island) + Ella Ronen The Girl With No Skin (BB*Island)
Any Richard Thompson appearance comes with a hallmark guaranteeing quality produce – be that an album or a stage show.
Indeed, Thompson's 75th birthday concert will land on 8 June at the Royal Albert Hall, with a dazzling range of musical guests to rival the same venue’s epic 70th birthday bash five years ago. Meanwhile, it’s been six years since his last album, 13 Rivers, an album he described on its release as “coming to me as a surprise in a dark time”.
Isobel Campbell has maintained a consistent career on the fringes of popular music for three decades. She's made a home in the area where indie, folk, rock and BBC 6Music merge. Aside from her 1990s involvement with Belle and Sebastian, she’s best-known for her trio of albums with the late Mark Lanegan, her gracefulness and crafted precision working well against his gruff world weariness.
The final track of Samana’s third album is titled “The Preselis,” after the west Welsh mountain range – the place antiquarians suggested as the source of Stonehenge’s blue stones. The song’s opening lyrics are “The blue stones, they grow over me, Carved into mountains, the blood of need.” Later, the words “anima” and “animus” are repeated before the song ends with the recurring refrain “Lay the body down.”
Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like the trash compactor in the first Star Wars film.
THE ELEPHANT IN THE ROOM BIT
If there’s a feeling of déjà vu, it isn’t detectable. Conchúr White played St Pancras Old Church in April 2016 with County Armagh’s Silences, the band he fronted. This evening, a mention of having been here before is absent. Nothing in the body language suggests any familiarity with where he’s playing.
Anniversary is Canadian singer-songwriter Abigail Lapell’s sixth album (if we include last year’s lengthy EP of lullabies). Her success has not reached much beyond her native land, as is often the way with Canadian acts, but she’s a proven talent, one who deserves a higher international profile. Anniversary consists of 11 poetic folk-country meditations on love.