The last time George Clooney was in a space movie, Gravity, he and Sandra Bullock were marooned above Earth and desperate to get home. The Midnight Sky has the opposite dynamic: here Clooney is Earthbound, urgently trying to warn incomers to stay the hell away. As science-fiction premises go, it feels rather apt. 

Many have struggled to bring a new slant to the horror genre, but writer-director Brandon Cronenberg has managed it with Possessor, his second full-length feature.

Famous dystopian novels are reliably popular with TV adapters, so it’s strange that this is the first time Aldous Huxley’s treatise on a society controlled by technology and psychological manipulation has been turned into a TV series. Of course, these days you need a pretty good fictional dystopia to surpass the one already running amok outside your window.

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.

Enola Holmes ★★★★ Millie Bobby Brown gives the patriarchy what-for in a new Sherlock-related franchise

Beavis and Butthead’s vicious grunge-era gormlessness remains interred, Wayne and Garth (and their stars’ careers) are too superannuated to revive. But here are the slightest of Gen X’s idiot double-acts, back again to save the universe in a time-travelling phone-box.

Could you cope with spending three years away from your family and loved ones while you went on the first crewed mission to Mars? This is the question that underpins Away, Netflix’s new space exploration drama.

It hasn’t been an easy ride for Josh Boone’s New Mutants. Delayed production, reshoots, the acquisition of 20th Century Fox by Disney, Covid-19, and accusations of whitewashing, have all contributed to it being dubbed a ‘cursed’ film.

Go back over Christopher Nolan’s films and count the clocks. He has an obsession that would give a horologist a run for his money. Time is a continual motif of his body of work and it finds its zenith in his latest work Tenet. Beneath the highly polished spy-thriller aesthetic lies a head-spinning, temporally warped plot, laced with concepts and conceits that will delight and baffle in equal measures. 

Queen, performances and production design drive this campest, funniest and sexiest of the post-Star Wars space boom. Flash Gordon is a film about a classic American comic-strip hero made by a cynical English director, Mike Hodges, and dreamy Italian producer, Dino De Laurentiis.

It fell out of the sky in the summer of 1947, and crashed on a ranch near Roswell, New Mexico. UFO-logists and conspiracy fanatics insist it was an alien spacecraft, but the US Air Force says it was a meteorological balloon.