Singer/pianist/songwriter/entertainer Joe Stilgoe responded remarkably rapidly to the new circumstances of March 2020. Even before the first nationwide lockdown was declared, he had started doing a series of daily performances on YouTube: “Stilgoe In The Shed”.
What a pleasure it was to step inside a West End theatre again, and what a different experience it was – temperature checks at the door, a one-way system through to the seats and an app to order drinks. While markedly smaller audiences are terrible for theatres' bottom line, this Covid-secure environment – with no foyer crush or queue at the bar, and better air conditioning – makes for a reassuringly safe night at the theatre.
After a successful – and very welcome - summer season of gigs in its outdoor courtyard, Battersea Arts Centre has come indoors for its autumn season of comedy from the Grand Hall; it started with this strong mixed bill curated by the promoters Berk's Nest.
It’s fitting that there’s another run of Dave Simpson’s terrific play about Brighton’s favourite son, Max Miller (aka The Cheeky Chappie), at this delightful pop-up on the seafront he knew and loved so well.
Of all the outdoor spaces being utilised to keep live performance going in this maddest of years, Warwick Castle is surely among the most striking. Its Picnic at the Castle series has the building as an imposing backdrop to events, the stage reached by a wooden bridge across the River Avon.
We live in strange times, so it's appropriate that a socially distanced pop-up arts festival – of theatre, comedy, improv, music and magic – calls itself The New Normal. I went to the first comedy night of its August run, curated by Good Ship Comedy, a great comedy club which is normally located at a pub in north London, but is decamping to south London for a couple of dates here.
After drive-ins, now come Covid-secure outdoor shows as the comedy industry tries to find its way back to normality. Battersea Arts Centre is utilising its hitherto unused courtyard for a season of outdoor comedy, during which Al Murray and Russell Howard will perform.
The courtyard accommodates fewer than 50 people – about 30 seated, the rest standing – and the audience had to wear masks throughout. We were encouraged to laugh rather than smile by MC Luke Kempner as we sat like a “bunch of assassins”.
Drive-in comedy shows are now well into their groove (although sadly a couple of promoters have had to cut their losses because of poor sales at some venues), and distinct differences in approach to what's on offer have emerged. Clearly going for the upper end of the market is Dine and Drive Theatre, an old hand at curating outdoor events, whose USP is classy locations and food catered by top chef Tom Kerridge.
Daniel Kitson
Daniel Kitson, in a rare and welcome move, has released his 2009 Edinburgh Fringe show, The Interminable Suicide of Gregory Church, in a version he has edited.
Various times, 18-22 May
Cambridge Footlights Stand-up Showcase
