The story of Ruth Ellis’s execution in 1955 has found its own macabre niche in British folklore, and has been been the subject of several film, stage and TV treatments. Perhaps the most memorable of these was Mike Newell’s 1985 film Dance with a Stranger, in which Miranda Richardson played Ellis.

The BBC’s latest “cool” Agatha Christie adaptation has many hallmarks of the decidedly dark ones that were considered prestige Christmas treats until recently. But although it’s lovely to look at, it’s low on chills and thrills.

They stopped making the BBC’s original Bergerac in 1991, so you can hardly complain that this reboot is premature. John Nettles became closely identified with the titular detective Jim Bergerac before he decamped to Midsomer, murder capital of the world, and has declared himself impressed with Damien Molony’s performance as the born-again sleuth (pictured below, Molony picks up the baton from Nettles).

Steven Knight is beginning to resemble the British version of Taylor Sheridan. While Sheridan has been saturating our screens with Yellowstone, 1923, Landman etc, Knight has been reeling off Peaky Blinders, SAS Rogue Heroes and even the story of opera star Maria Callas.

It seems that esteemed former US President George Mullen is subsiding gently into retirement on his luxurious country estate, with a publishing contract for his memoirs if he can ever manage to knuckle down and write them, when fate throws a curve-ball.

The return of Mike White’s hit series can be celebrated for one major reason: its extraordinary music. That may sound like a minor reason, but this third iteration of the show confirms that the show's sound world is key to its success.

Dying is easy, comedy is hard, according to the Georgian actor Edmund Kean. Luckily, everybody involved with the much-awarded Hacks understands precisely the creative anguish that top-flight comedy demands, and in its third season the show puts further expanses of clear blue water between itself and the competition.

Ridley Scott’s 2001 film Black Hawk Down was a technically superb blockbuster bristling with thunderous action sequences and famous actors, though its gung-ho depiction of the heroics of American special forces during the appalling Somalian civil war always felt a little uncomfortable.

It’s been 50 years since the USA bowed to the inevitable and pulled out of Vietnam, in the midst of harrowing scenes of anguish and chaos.

The latest from the This Is Us creator, Dan Fogelman, is a futuristic take on relationships among survivors once Earth has suffered an extinction event, a popular concept in these troubled times. Except that it starts out by following an equally popular narrative track, the classic locked-door whodunit. Where is this heading?