Question and answer interviews

10 Questions for DJ/Producer Richie Hawtin

10 QUESTIONS FOR DJ/PRODUCER RICHIE HAWTIN How is the techno elder statesman feeling about stepping into Lloyd Wright's space?

How is the techno elder statesman feeling about stepping into Lloyd Wright's space?

Richie Hawtin (b 1970) is no stranger to the art world, nor to working on a monumental scale. The British-born Canadian techno producer/DJ did, after all, collaborate with Jeff Koons, Jean-Luc Godard, LaMonte Young and Anish Kapoor for the French millenium celebrations.

'It could be a zebra out there for all I care'

A 2010 meeting with the late Lou Reed gives an insight into his creative priorities

In February 2010 I spoke to Lou Reed about his return to Metal Machine Music, a typically incongruous endeavour. Not content with touring his "difficult" 1973 suicide-song-cycle Berlin in 2008, he had decided to re-release his notorious 1975 "guitar symphony" and take his Metal Machine Trio on the road to perform entirely improvised instrumental music inspired by the spirit of the original album.

10 Questions for Phil Campbell of Motörhead

10 QUESTIONS FOR PHIL CAMPBELL OF MOTÖRHEAD Long-serving guitarist talks Johnny Cash, Hawkwind and, of course, Lemmy

Long-serving guitarist talks Johnny Cash, Hawkwind and, of course, Lemmy

Phil Campbell (b 1961) has been guitarist with Motörhead since 1983. That’s four fifths of the band’s 38 year existence. His have been the dirty great riffs at the core of classics such as “Killed by Death”, “Flying to Brazil”, “Eat the Rich", “Stone Deaf in the USA”, “Rock’n’Roll” and multiple others. He has appeared on 15 of their 21 studio albums, including Aftershock, their latest, which initially comes cover-mounted on a special edition of Classic Rock magazine, but receives a full release in late November.

theartsdesk Q&A: Singer Linda Thompson

Folk's most fragile but enduring voice on her new album, old friends, the Thompson family, and surviving a 1970s Sufi commune

Linda Thompson, one of Britain's great living singers, has just released her third solo album since her return to recording with 2001's Fashionably Late.

10 Questions for Lars Ulrich

Metallica's drummer on their new movie, and metal maturity

In their new, semi-fantastical concert movie Metallica: Through the Never, the gas-masked marauder who hunts the band’s fictional roadie, Trip, through a nightmare landscape, pictured below, is less cinematically memorable than Metallica themselves. Director Nimrod Antal gets his cameras up amongst them on-stage, as their muscles and eyes bulge and mouths gape, revving up the fans with how much they get off on this music, too.

theartsdesk Q&A: Sex researcher Shere Hite

THEARTSDESK Q&A: SEX RESEARCHER SHERE HITE As Channel 4 launches its sex season, we publish an interview with the author of 'The Hite Report into Female Sexuality'

As Channel 4 launches its sex season, we publish an interview with the author of The Hite Report into Female Sexuality

This week Channel 4 embarks on a season of programmes about sex. Real sex, it claims, in real British bedrooms. A new series called Masters of Sex dramatises the story of William Masters and Virginia Johnson, who from 1957 pioneered research into sexual response. And then there is Sex Box, in which couples will perform the eponymous activity in the eponymous container and then come out and discuss it in front of Mariella Frostrup and a live audience. Would such a thing have been imaginable without Shere Hite?

theartsdesk Q&A: Writer Hanif Kureishi and director Roger Michell

THEARTSDESK Q&A: WRITER HANIF KUREISHI AND DIRECTOR ROGER MICHELL Their 20-year collaboration has yielded three films about getting on. Next up, Le Week-end

Their 20-year collaboration has yielded three films about getting on. Next up, Le Week-end

The careers of writer Hanif Kureishi and director Roger Michell are indelibly linked, with a collaboration that has now lasted 20 years. In 1993 Michell, then an accomplished theatre director who was relatively new to the camera, directed Kureishi’s adaptation of his novel The Buddha of Suburbia for the BBC, with great success.

10 Questions for Musician Yoko Ono

'I WAS NEVER THE PERSON WHO BROKE UP THE BEATLES' 10 Questions for Yoko Ono

Twentieth-century icon on the Beatles, Meltdown, and a new album at 80

Normally we introduce these interviews with a few biographical details about the subject. With Yoko Ono, however, there hardly seems any point: she’s as much a part of late 20th-century history as an musician. But if the whole world knows who she is, her work is a different matter. John Lennon memorably described her as “the world's most famous unknown artist”. And despite recent critical success and an album out this week (Take Me to the Land of Hell), her reputation is still for being obscurely arty.

theartsdesk Q&A: Actress Sheridan Smith

THEARTSDESK Q&A: ACTRESS SHERIDAN SMITH From Tallulah to Titania, the new queen of the West End on her vertical rise

From Tallulah to Titania, the new queen of the West End on her vertical rise

There’s a song in the musical version of Legally Blonde, in which peroxide ditz Elle celebrates her impending good fortune. “Oh my god, oh my god, you guys,” she sings exultantly as she prepares to accept her beau’s proposal of marriage. Since leaving the role at the start of 2011, Sheridan Smith has continued hollering the words more or less non-stop. Oh my god Trevor Nunn just texted to offer her a part. Oh my god Dustin Hoffman just left a voicemail.

Wagner at the Proms remembered

TAD AT 5 AT THE PROMS: WAGNER 2013 REMEMBERED Five singers, three conductors and a director look back on a collective triumph of the bicentenary year

Five singers, three conductors and a director look back on a collective triumph of the bicentenary year

This summer, the Royal Albert Hall became the centre of the Wagnerian universe. No one was going to ignore Bayreuth, where Frank Castorf‘s new Ring gave plenty of fuel for column inches; but somehow the singers and the orchestra seem to have got lost there among all the apparently uninterpretable stage paraphernalia. Here there was a unique context for the personenregie, the crucial relationships highlighted in Wagner’s many one-to-ones, as memorable as the spotlight on the music.