White Denim’s literally titled 12th album opens with the fidgety “Light on.” Drawing a line between electronica and Tropicália, it exudes sunniness. “Econolining” and “Flash Bare Ass,” up next, are equally peppy, as bright and similarly accord with the idea of pop as a mix-and-match grab bag – albeit from an off-centre perspective.
VINYL OF THE MONTH
Blood Incantation Absolute Elsewhere (Century Media)
Nothing and All at Once is the debut album from New Delhi electronica producer Jay Pei in his Panelia guise. Featuring a broad but seamless tapestry of electronica, beats and breaks, often with widescreen cinematic vibes, it veers from driving grooves to ambient atmospheres that seem marinated in leftfield 90s sounds.
The return to shops of a consecutive sequence of five of John Cale's Seventies albums through different labels is undoubtedly coincidental. All have been previously reissued multiple times and none are scarce in any form. Anyone wanting any of these albums presumably already has a copy. Nonetheless, it’s good that these makeovers sustain the profile of Cale’s idiosyncratic take on art-rock.
When first I clicked on the stream for this album, I really wasn’t sure about it. In fact, I thought I wasn’t going to like it, much as I had wanted to. But I’ve had it playing almost continuously while I’ve been dealing with mindless stuff – and I’ve come to like it.
Not without reservations of course – there are always reservations – but it’s got under my skin and I’m now properly in the groove, appreciating what Lucinda Williams is doing, delving into this most hallowed of song catalogues and bravely tackling numbers that are rarely, if ever, covered. As is her way.
Since their eponymous 2011 debut, Three Cane Whale have kept it small without losing scale. A trio of Spiro’s Alex Vann, Get The Blessing’s Pete Judge, and guitarist Paul Bradley, together they often often recorded plein air, on hillsides, above waterfalls, in ancient churches and old barns.
A sycamore tree is described to an appaloosa horse before it is mounted to ride off to visit a friend. The thread used for sewing evokes a map where each street has a doorway which, once opened, reveals memories of those who are missed.
Jazz music crosses, mixes and unites generations, and the 10 concerts I’ve seen at this year’s EFG London Jazz Festival (out of more than 300 in total) have really brought that home.
The oldest musician I heard is a completely lovable miracle. Matt Pannell’s picture (above) shows the empathy and enthusiasm of the great Kirk Lightsey. The pianist was born in Detroit in 1937, the same year as Alice Coltrane, and they shared the same piano teacher. His magical solo piano album "I Will Never Stop Loving You" from 2021, incidentally, is required listening.
November can be a month to hunker down for the onset of winter and its weather, and where better to do that than in one of the myriad venues across the capital hosting the annual London Jazz Festival and its hundreds of concerts, from cosy clubs like Ronnie Scott’s and Pizza Express Dean Street to the big stages of the Barbican and South Bank.
What’s to be said about an album that’s half well-executed body-moving, dancefloor pop and half sickly, slick schmaltz? It’s as if the creator is covering off all possible fanbases, those with taste and those lacking it.