Production gallery: Duke Bluebeard's Castle, ENO

Johan Persson photographed the frightening new production of Bartók's chiller

English National Opera's new production of Bartók's Duke Bluebeard's Castle is photographed here by Johan Persson. Directed by Daniel Kramer, designed by Giles Cadle and lit by Peter Mumford, it updates Charles Perrault's 1697 fairytale to a horrific modern reality. Clive Bayley and Michaela Martens sing Duke Bluebeard and Judith. See Ismene Brown's review.

Click on an image to open full view of the portfolio.

  • Josef Fritzl's house
  • Bluebeard photographs feature Clive Bayley as Bluebeard, Michaela Martens as Judith, and actors
  • Gustave Doré's 1862 engraving for Charles Perrault's Les Contes de Perrault

[bg|/OPERA/ismene_brown/bluebeards_castle_eno]

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.

rating

0

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more opera

Gods, mortals and monsters do battle in Handel's charming drama
Dance and signing complement outstanding singing in a story of virtue rewarded
Appealing performances cut through hyperactive stagecraft
Jakub Hrůša’s multicoloured Puccini last night found a soprano to match
A Sister to remember blesses Puccini's convent tragedy
Eye-popping acrobatics don’t always assist in Gluck’s quest for operatic truth
Cast, orchestra and production give Jennifer Walshe’s bold collage their all
Janáček superbly done through or in spite of the symbolism
Allison Cook stands out in a fascinating integrated double bill of Bernstein and Poulenc