LFF 2013: Mystery Road

Ivan Sen's smouldering evocation of some shameful Australian history

Awful crimes are being committed in an Australian outback town: young girls murdered, and dumped in culverts. But what makes it worse for Aboriginal detective Jay Swan (Aaron Pedersen), newly returned to his small hometown from the city, is the barely coded and bare-faced racism he encounters, from his cop colleagues most of all; the sense that these girls, because they’re Aboriginal too, don’t matter. They’re just expendable pawns in bigger, evil games being played out in eerie countryside, and the parched streets of an Aboriginal part of town which looks like it’s been left in the sun to die.

Ivan Sen’s crime film builds its quietly angry grip on Pederson’s charismatic and watchful performance, which mixes masculine strength, loneliness and sheathed fury. He has a cowboy’s white hat and swagger. But as he doggedly knocks on thin doors in his old community, he could be Philip Marlowe too, a knight walking down mean streets.

'Who are the wild dogs? The wild dogs are us'

Director Sen, previously known for social realist films, and writer, cinematographer, editor and composer here too, shows masterful command of genre. He frames the action in dramatic big country John Ford would envy, and peoples the frame with sharply drawn eccentrics, from Jack Thompson’s dog-mourning recluse to Hugo Weaving’s double-talking detective. Mystery Road has the evil, epic sweep of LA Confidential, but a grimmer grasp on reality, burning a long trail of TNT to a final, point-blank showdown.

The LFF screening I attended was made more memorable by the iconic Australian actor Jack Thompson’s Q&A afterwards. He explained the real crimes his Aboriginal writer-director was thinking of; why his film repeatedly passes a place called Massacre Creek, an unexceptional sort of name in Australia marking, Thompson said, “where we set out to eliminate these people.” Most powerfully, someone from the town where Mystery Road is set stood up to tell “Jack” (the right familiarity for a man every Australian has grown up watching) that he had Aboriginal schoolmates. Then one day, he didn’t. The Stolen Generation, spirited away. “Who are the wild dogs?” Thompson asked, of animals repeatedly mentioned but never seen in Mystery Road. “The wild dogs are us.”

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
'Mystery Road' has the evil, epic sweep of 'LA Confidential', but a grimmer grasp on reality

rating

4

share this article

more film

Joachim Lang's docudrama focuses on Goebbels as master of fake news
The BFI has unearthed an unsettling 1977 thriller starring Tom Conti and Gay Hamilton
Estranged folk duo reunites in a classy British comedy drama
Marianne Elliott brings Raynor Winn's memoir to the big screen
Living off grid might be the meaning of happiness
Tender close-up on young love, grief and growing-up in Iceland
Eye-popping Cold War sci-fi epics from East Germany, superbly remastered and annotated
Artful direction and vivid detail of rural life from Wei Liang Chiang
Benicio del Toro's megalomaniac tycoon heads a star-studded cast
Tom Cruise's eighth M:I film shows symptoms of battle fatigue
A comedy about youth TV putting trends above truth
A wise-beyond-her-years teen discovers male limitations in a deft indie drama