Design gallery: The Tsarina's Slippers, Royal Opera

Close-up on Mikhail Mokrov's sets and Tatiana Noginova's costumes for the Tchaikovsky fairytale

share this article

A new production by The Royal Opera of Tchaikovsky's The Tsarina's Slippers opens on Friday at Covent Garden, directed by Francesca Zambello, designed by Mikhail Mokrov and Tatiana Noginova, and with an all-Russian cast of principals conducted by Alexandr Polianichko. Read Ismene Brown's interviews with the creative team elsewhere, and enjoy this feast of design models, costume sketches and production photographs.

Click on a picture to enter full view and the slideshow.

Sets by Mikhail Mokrov

[bg|/OPERA/ismene_brown/tsarinas_slippers/sets]

Costume designs by Tatiana Noginova

Characters: Vakula, a blacksmith (2 costumes); his mother Solokha (2 costumes); his girlfriend Oksana; the Devils, the Tsar, Mayor, Odarka, Panas, Chub

[bg|/OPERA/ismene_brown/tsarinas_slippers/characters]

Ballet dancers, Cossacks, children's ballet, Tsar's court, villagers

[bg|/OPERA/ismene_brown/tsarinas_slippers/ballet__chorus]

Production photographs by Bill Cooper/The Royal Opera House

  • Vsevolod Grivnov as Vakula, a blacksmith
  • Olga Guryakova as Oxana, his girlfriend
  • Larissa Diadkova as Solokha, Vakula's mother
  • Maxim Mikhailov as the Devil
  • The Royal Ballet's Mara Galeazzi and Gary Avis lead the ballets
  • Sergei Leiferkus as His Highness
  • Cossack dancers

[bg|/OPERA/david_nice/tsarina]

  • The Tsarina's Slippers opens on Friday at The Royal Opera House, with performances until 8 December. Book online here.

Comments

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.

rating

0

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more opera

Support our GoFundMe appeal
Australian soprano Helena Dix is honoured by fine fellow singers, but not her conductor
Striking design and clear concept, but the intensity within comes and goes
A well-skippered Wagnerian voyage between fantasy and realism
Asmik Grigorian takes all three soprano leads in a near-perfect ensemble
A Faust that smuggles its damnation under theatrical spectacle and excess
Welcome opportunity to catch opera-ballet, though not everything is in perfect focus
Incandescent singing and playing, but the production domesticates the numinous
When you get total musicality from everyone involved, there’s nothing better
Janáček’s wacky space-and-time-travel opera glows and grips in every bar
Telemann’s comic opera hits the mark thanks to two fine, well-directed young singers
Kosky, Pappano and their singers soar on both wings of Wagner’s double tragedy