The Seckerson Tapes: Conductor Gianluca Marcianò

Minghella's Butterfly is currently under the baton of a rising Italian star

share this article

Bowing in at the London Coliseum for the latest revival of Anthony Minghella’s sumptuous staging of Puccini’s Madam Butterfly, conductor Gianluca Marcianò is fast building a reputation as one of the most thoughtful and stylistically incisive of thoroughbred Italians on the circuit. In the UK his work at Grange Park Opera has garnered impressive reviews and he has taken the Italian tradition east with his music directorship of the Tbilisi State Opera and Ballet Company in Georgia - a great breeding ground for some impressive vocal talents - and the artistic directorship of the Al Bustan Festival in Beirut.

In this podcast he shares his views on the Italian style and traditions, his thoughts on the role of the conductor, his love of literature and the classics and even musicals, his need to be informed. His belief that everything in music is essentially a form of singing tells us more than words ever could about his musical philosophy.

 

This text will be replaced

 

If you would prefer to download and listen offline, please download

Comments

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
His belief that everything in music is essentially a form of singing tells us more than words ever could

rating

0

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more opera

Support our GoFundMe appeal
Australian soprano Helena Dix is honoured by fine fellow singers, but not her conductor
Striking design and clear concept, but the intensity within comes and goes
A well-skippered Wagnerian voyage between fantasy and realism
Asmik Grigorian takes all three soprano leads in a near-perfect ensemble
A Faust that smuggles its damnation under theatrical spectacle and excess
Welcome opportunity to catch opera-ballet, though not everything is in perfect focus
Incandescent singing and playing, but the production domesticates the numinous
When you get total musicality from everyone involved, there’s nothing better
Janáček’s wacky space-and-time-travel opera glows and grips in every bar
Telemann’s comic opera hits the mark thanks to two fine, well-directed young singers
Kosky, Pappano and their singers soar on both wings of Wagner’s double tragedy