The Seckerson Tapes: Director Rufus Norris

Theatre director discusses his radical new ENO production of Don Giovanni

share this article

In 2001 Rufus Norris cleaned up on the awards front with his stunning production of Festen, the David Eldridge adaptation of Thomas Vinterberg's disturbing film which started life at the Almeida Theatre. But it was his grimly ironic staging of Kander and Ebb's Cabaret that I would put among the half-dozen or so best productions of a musical that I have ever seen. Now comes an even bigger leap - a hell of a leap (pun intended) - with his major operatic debut at the English National Opera: Mozart's Don Giovanni.

In this wide-ranging audio podcast Norris discusses how much of a shock to the system that has been, how music in all its guises fuels his theatre and film work, and how easy it is to misuse. Right now Norris is a reforming opera sceptic - and on the basis of this candid conversation is likely to deliver a Don Giovanni like no other.

Listen to this episode

  • Don Giovanni at the Coliseum until 3 December
  • Find out what else is on at the ENO

Comments

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.

rating

0

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more opera

Support our GoFundMe appeal
Australian soprano Helena Dix is honoured by fine fellow singers, but not her conductor
Striking design and clear concept, but the intensity within comes and goes
A well-skippered Wagnerian voyage between fantasy and realism
Asmik Grigorian takes all three soprano leads in a near-perfect ensemble
A Faust that smuggles its damnation under theatrical spectacle and excess
Welcome opportunity to catch opera-ballet, though not everything is in perfect focus
Incandescent singing and playing, but the production domesticates the numinous
When you get total musicality from everyone involved, there’s nothing better
Janáček’s wacky space-and-time-travel opera glows and grips in every bar
Telemann’s comic opera hits the mark thanks to two fine, well-directed young singers
Kosky, Pappano and their singers soar on both wings of Wagner’s double tragedy