The Seckerson Tapes: Edward and Igor look back at 2009

Our classical music writers look back in conversation

Nina Stemme gives a career-defining performance as Isolde at Covent Garden in Autumn 2009
Since before Christmas theartsdesk has been reviewing the past decade and previewing the year to come in the arts. As an extra we offer this special edition of The Seckerson Tapes, in which Edward Seckerson and Igor Toronyi-Lalic discuss the year in music, which, in the concert hall, saw the triumph of the new romantics in conductors Riccardo Chailly and Yannick Nezet-Seguin and, operatically, saw the arrival of three penetrating new productions of operatic classics: the English National Opera's Peter Grimes, Covent Garden's Tristan und Isolde and Glyndebourne's Rusalka.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.

rating

0

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more opera

English National Opera's production of a 21st century milestone has been a tough journey
Celine Byrne sings gorgeously but doesn’t round out a great operatic character study
Talent-loaded Mark-Anthony Turnage opera excursion heads down a mistaken track
Love and separation, ecstasy and heartbreak, in masterfully updated Puccini
Britten’s delight was never made for the Coliseum, but it works on its first outing there
Hopes for Niamh O’Sullivan only partly fulfilled, though much good singing throughout
Gods, mortals and monsters do battle in Handel's charming drama
Dance and signing complement outstanding singing in a story of virtue rewarded
Appealing performances cut through hyperactive stagecraft
Jakub Hrůša’s multicoloured Puccini last night found a soprano to match