Reissue CDs Weekly: The Free Design - Butterflies Are Free
Wallet-friendly entry point into the esoteric harmony poppers
“Dorian Benediction” begins with a muted organ and spectral chorale. Minimal drums, an electric piano, vibes, melancholy saxophone and a jazzy solo guitar fill out the picture. Over its four-and-a-half minutes, the atmosphere is haunted and haunting. This is music which appears to have seeped from the walls of a baroque church. It’s the final track of The Free Design’s third album, 1969’s Heaven / Earth.
Reissue CDs Weekly: Richard Hell & The Voidoids - Destiny Street Complete
Thought-provoking revisitation of the New York punk pioneer’s second album
"Three plus versions of the same album. It’s ridiculous, but I’m glad.” The first paragraph of Richard Hell’s text in the booklet accompanying Destiny Street Complete lays it out. There are, indeed, three versions of his and his band The Voidoids’s July 1982 album Destiny Street on this double-CD set. It seems excessive.
Reissue CDs Weekly: John Mayall - The First Generation
Massive box-set tribute to the important British musical visionary
The First Generation 1965–1974 is a 35-CD box set dedicated to the blues maven and propagator John Mayall. As well as the discs, there are three books: one a hardback, another reproducing fan club material, and the third a facsimile of the press pack for his first album. Also included are two posters and a signed photograph of Mayall. Five thousand copies have been made. As it sells for £275, the 3.8 kilogram The First Generation will not be a casual purchase.
Reissue CDs Weekly: Charles Mingus @ Bremen 1964 & 1975
Live recordings where the jazz great wouldn’t ‘tone down his performance to meet the audience’s tastes’
Two of the four CDs in this set are of a live performance taped on 16 April 1964. The other pair of discs were recorded on 9 July 1975. Each show issued on Charles Mingus @ Bremen 1964 & 1975 was captured by the north German regional broadcaster Radio Bremen.
The Serpent, BBC One review - tracking down the hippie-trail murderer
Charming psychopath Charles Sobhraj's motives remain elusive in real life and on-screen
“They’re only rich assholes. They don’t merit your concern,” serial killer and psychopath Charles Sobhraj (Tahar Rahim, A Prophet, Heal the Living), aka rich French gem-dealer Alain Gautier, tells his girlfriend Marie-Andrée in The Serpent as he steals passports and money from a couple of unconscious tourists he’s just drugged on a beach in Thailand in the mid-Seventies.
Reissue CDs Weekly: Sumer Is Icumen In - The Pagan Sound Of British & Irish Folk
Three discs seeking to evoke a ‘woodland peppered with invocations’
The winter solstice occurs tomorrow, 21 December. Stonehenge, one of this island’s most significant structures, is constructed in alignment with the setting sun on that day. After the solstice, the days lengthen and a new cycle of the year begins.
Small Axe: Education, BBC One review - domestic drama concludes groundbreaking film series with quiet power
Systematic prejudice in the 1970s school system gives emotional punch to Steve McQueen's finale
The fifth and final film in the Small Axe series is titled Education. At first, it appears this refers to the education of the central character, 12-year-old London boy Kingsley Smith, impressively played by Kenyah Sandy, who’s transferred to a disgraceful “School for the Educationally Subnormal” after being disruptive.
Reissue CDs Weekly: Iggy & The Stooges - You Think You’re Bad, Man? The Road Tapes 1973-74
Lo-fi box set cataloguing the live adventures of the musical saboteurs as they hit the buffer
It didn’t take long for The Stooges to acquire an afterlife. They played their final show in February 1974. In May 1975, Nick Kent wrote a multi-page feature for NME on the ups and downs of Iggy Pop and Co. In September 1975, Sounds reviewed a new album by the defunct band titled Metallic KO. One side of it was recorded at that final show.
I'm Your Woman review - what's happening, indeed?
Tepid thriller leaves spectators irksomely in the dark
"What's happening?", or so Jean (Rachel Brosnahan) asks time and again in I'm Your Woman, voicing the very question posed by an audience. Bewilderment would seem to be a constant state of being in director and co-writer Julia Hart's film, which doesn't so much derive suspense from withholding information as revel in an opaque narrative that I, for one, tuned out of well before the close.