For someone who tags himself rock and roll's greatest failure, John Otway hasn’t done too badly. Anyone attempting to navigate their way through a career in rock ‘n’ roll wouldn’t do badly looking to Otway as an example to follow. He’s had chart singles, headlined the Royal Albert Hall, written two autobiographies and has a massive, loyal fan base. At age 61, he’s still at it over 40 years after the 1972 release of his first single. Judging from Otway the Movie, he does what he does full time, has a roof over his head, has a wife and an enviably articulate daughter. Failure?

Richard Bean has had a busy year, and it isn’t over yet. Great Britain, his bawdy play about press ethics and police corruption, is transferring to the West End after hitting the spot at the National. Pitcairn, a new piece about the aftermath of the mutiny on the Bounty, will shortly arrive at the Globe after turning heads at the Chichester Theatre. And Made in Dagenham, a musical version of the 2010 film for which Bean has provided the book, looks likely to be one of the West End highlights of the autumn.

“It looked like Dresden after the bombing.” Blondie’s Chris Stein may be a member of one of pop’s most-loved bands, but he also has a way with words. Describing 1970's New York City in this way is offensive to the memory of the 25,000 who died in the World War II air raids on Dresden. More pertinently for New York-dweller Stein, his comment also chimes badly with the destruction of the twin towers of Manhattan’s World Trade Centre in 2001.

Fantastic is the only word for The Changes. Fantastic as in fantasy, and fantastic because it's a television drama that's brilliantly conceived and impeccably executed – and also because it tackles issues of social cohesion and fragmentation head-on without using a sledgehammer. Broadcast by the BBC in 1975, The Changes was a ten-part series adapting Peter Dickinson's trilogy of novels The Weathermonger, Heartsease and The Devil's Children.

Various Artists: Front Line – Sounds of Reality

We all love a good guitar riff and so a whole hour devoted to this one simple pleasure sounds like a surefire hit. BBC Four is the go-to channel for the rock‘n’roll documentary and this latest offering boasted a dazzling line-up including Brian May, Tony Iommi and Johnny Marr. 

Crosby, Stills, Nash & Young: CSNY 1974

Chris Carter and Cosey Fanni Tutti are a living lesson in the rejuvenating power of remaining experimental in art. Their music holds its own alongside the young guns of electronica, who indeed frequently idolise them, and in person they frequently seem as excited about possibilities and open to new ideas as artists just starting out.

Various Artists: Too Slow to Disco