2009 hasn’t been a vintage year for art, exactly - no queue-round-the-block showstoppers, if that’s your type of thing. Nonetheless the year was nicely topped and tailed by some memorable, and quietly seductive shows. My top five are Picasso, Mark Wallinger, Gerhard Richter, Sophie Calle and The Sacred Made Real.

This odyssey of party-goer and interior designer Nicky Haslam frequently resembled a Private Eye diary by Craig Brown, who’s always at his best when lacerating narcissistic name-dropping diarists from earlier generations. We watched Haslam swapping anecdotes about Picasso with the painter’s biographer John Richardson, reminiscing about how Mae West used to sleep with two monkeys on her bed, and pointing out where Marilyn Monroe and Tallulah Bankhead used to live in New York.

The first thing to say about Drawing Attention is that its title decidedly undersells the scope of this compelling and unpredictable exhibition, which spans five centuries and includes 100 works from the Art Gallery of Ontario’s collection. Most of us might define a drawing as some kind of monochromatic sketch, either produced by the artist as preparatory work for a finished painting, or to capture some ephemeral moment. The drawing represents artists, paradoxically, at their most casual and yet most focused, transcribing what is seen with intense concentration, yet often rendering it with just a few deft strokes of pen or charcoal. The drawing, effectively, is the artist’s signature recast as an image.