Rosie Jones ★★★★

There are two versions of Rosie Jones, she tells us; one nice, one not so nice. And who knows which of those would have won the battle of psyches if the comic had not been deprived of oxygen for a quarter of an hour during birth, she asks in Fifteen Minutes. It's a terrific device – subtle but pointed, witty but poignant – as she muses about what kind of person she might have been without cerebral palsy.

Luisa Omielan ★★★★

Nigel Slater's Toast ★★★★  

Launched just last year to celebrate the country’s 150th anniversary, CanadaHub has quickly become one of the Edinburgh Fringe’s most exciting and intriguing venues, presenting a small but richly provocative programme of work from across that vast country. Here are just three of its offerings this year.

Daughter ★★★★  

Alex Edelman ★★★★★

When Alex Edelman first appeared at the Edinburgh Fringe in 2014 he walked off with the Edinburgh Comedy Award for best newcomer. Now in his third stand-up show, Just For Us, he delivers a beautifully constructed hour of narrative comedy.

Underground Railroad Game ★★★★★ 

Coriolanus Vanishes ★★★★ 

Catherine Bohart ★★★★

Catherine Bohart tells us at the top of the show that she is the bisexual daughter of an Irish Catholic deacon, which is, when you consider it, a niche description. Oh, and she has OCD. That’s quite an introduction, and she more than lives up to it in this debut show, Immaculate.

Ulster American ★★★★★ 

The Edinburgh Fringe is usually the high point of the year for comedy, but in truth it wasn't a solid five-star year – although there were some stand-out performers. And if the test of good comedy is the shows that stay with you, and which you want to see again, then a few are definitely up there.