It's takes a confident comic performing only her second show in English – her second language – to joke near the top of the hour: “I didn't know I wasn't as funny in English.” Urooj Ashfaq also told us she would get upset if the audience didn't like her – but she shouldn't worry. Her confidence proved to be justified.

Josh Pugh made quite an impression at last year's Edinburgh Fringe, where he was deservedly nominated for best show in the Edinburgh Comedy Awards with Sausage, Egg, Josh Pugh, Chips and Beans. In this special YouTube version, recorded at Birmingham Town Hall, he reprises that performance.

The Dave Edinburgh Awards went abroad this year – Australian Sam Campbell won for best show at the Fringe, while American Lara Ricote won best newcomer.

In many ways, The Stones is what the Fringe is all about: a new theatre company (London-based Signal House); a single actor; a small black-box space; just a chair, a bit of smoke and some almost imperceptible lighting changes for a staging. And with those modest ingredients, it generates a work that’s really quite unnerving in its quiet power, and magpie-like in its references.

Ode to Joy (How Gordon Got to Go to the Nasty Pig Party), Summerhall ★★★★★

Hal Cruttenden, Pleasance Courtyard ★★★★

Randy Feltface, Assembly George Square ★★★★

First, a bit of housekeeping. Maybe it was the three-and-a-half-hour duration, or maybe the unfamiliar Sri Lankan subject matter, or maybe even the very un-festival-like hot weather that put people off an evening inside Edinburgh’s Lyceum Theatre. Or maybe (very possibly) continuing Covid concerns.

Temping, Assembly George Square Studios ★★★★

Sarah Jane is away in Hawaii. But don’t worry – she’s left plenty of instructions for your day temping in the actuaries’ office, checking voicemails, answering emails, updating spreadsheets. After all, it’s just numbers – it’s not like you’ll be dealing with people’s lives or anything.