At first, the opening episode of Sky 1’s enticing new drama Temple looked like it was going to be mostly concerned with a heist gone wrong. A gang of bandits were busily stealing an enormous mountain of money when they were inadvertently locked inside the building they were robbing by their half-witted getaway driver.

It’s been nearly a decade since the sixth and final series of Lost, JJ Abrams’s baffling odyssey of time-travelling air crash survivors, but judging by Manifest, its influence still hovers over TV-land. Produced by (among others) film director Robert Zemeckis, Manifest is another mystical thriller that might make you think twice about boarding that holiday flight.

Some things never change. About 60 per cent of this first show in Strike Back’s seventh series consisted of Mac McAllister (Warren Brown) and his intrepid Section 20 squad mowing down members of a Malaysian triad gang with automatic weapons.

Perhaps inspired by the success of the revived Hawaii Five-O, CBS and Universal have gone back to the Eighties, and back to Hawaii, to see if the venerable Magnum P.I. could benefit from a similar overhaul. Early evidence suggests that as formulaic American dramas go, it’s… sort of business as usual.

It’s quite bold to create a multiracial comedy set in Hackney in the early Eighties, a not especially amusing period of riots, the Falklands War and Thatcherism. Happily, Hackney boy Idris Elba has managed it with a wry eye and a light comic touch.

After a mysterious mid-season break which seemed to catch everyone by surprise, Strike Back’s sixth season belatedly bounces noisily back. So far the story has ricocheted around the Middle East before detouring to Hungary, where our indestructible Section 20 operatives just managed to save “Mac” McAllister (Warren Brown) from being hanged by the fanatical Magyar Ultra extremist group.

Laughable though it frequently – oh go on then, always – is, Strike Back is obviously a target-rich environment for those of a thespian persuasion. The likes of Richard Armitage, Andrew Lincoln, Robson Green and Michelle Yeoh have passed through the show’s bullet-spattered portals over its previous five series, and for series six Warren Brown gets the gig as the special forces maverick out for retribution.

It’s a fairly big deal to be interviewing Stan Lee. Generations have been enthralled by his work, from the 1960s comics The Amazing Spider-Man and The Uncanny X-Men – which came to the UK first as US imports and later as black and white reprints via Marvel UK – to the more colourful world of Doctor Strange via The Incredible Hulk and Daredevil.

Football seeps into every cranny of British culture, but it's hard to name a great comedy or drama about the game of two halves. The history of fictionalised football is mainly a catalogue of failure. The liveliest portraits of the game have come at it from the female perspective – The Manageress, or Footballers’ Wives, or Bend It Like Beckham – or at an oblique angle such as Ken Loach’s Looking for Eric, or from another source altogether in the case of David Peace’s novel The Damned United. Mostly they’re just crap.

The fifth, and supposedly final, series depicting the adventures of the covert-action tough guys of Section 20 won't surprise anyone, but it won't disappoint its devotees either. Fast, brutal and violent, Strike Back is a slick mix of movie-like production values and infinitesimal demands on the viewer's intellect, a winning commercial formula if ever there was one.