Album: Pulp - More
The very opposite of past it, this immersive offering is perfectly timed
While the Gallagher brothers scrabble around in the dirt for their rich pickings, an altogether more dignified experience is on offer from Sheffield. More is Pulp’s first album for 24 years, which is a sobering fact for those of us who still remember the first time. Thankfully, this isn’t a reprisal of past glories but a vibrant and moving work of some significance. They’ve ripened delightfully and are living proof that age does not diminish creativity or relevance.
Album: Morcheeba - Escape the Chaos
More of the same from the trip hop perennials but delivered with tunes and ease
Morcheeba reach their 30th anniversary this year. The 1990s band, a unit once synonymous with phrases such as “trip hop” and “chill-out”, are up to album number 11. Their multi-million-selling oeuvre is based around a hazy combination of low-slung hip hop beats, stoned electronic atmospherics, spacey, slightly John Barry wah-wah guitar, and the luxurious voice of frontwoman Skye Edwards.
Magic Farm review - numpties from the Nineties
A comedy about youth TV putting trends above truth
There’s nothing more healthy than dissing your own dad, and filmmaker Amalia Ulman says that her old man was “a Gen X deadbeat edgelord skater” when she was growing up in the 1990s. The phrase brings the half-forgotten world of Generation X back to us from the mists of time, with its slackers and Douglas Coupland books and mumbling evasions.
Two to One review - bank heist with a big catch
'Christiane F' star Natja Brunckhorst directs Sandra Hüller in East German crime story
The Ealing-like comedy heist caper Two to One is Natja Brunckhorst’s second feature as a director, after the 2002 short film La Mer, but most people will remember her for an extraordinary performance as a 13-year-old actor in Uli Edel’s 1981 cult film Christiane F. The following year, she had an equally memorable walk-on in Rainer Werner Fassbinder’s last film Querelle.
Dealer's Choice, Donmar Warehouse review - fresh take on a classic about male self-destruction
An ideal revisiting of Patrick Marber's play about risking all to move ahead
Patrick Marber’s powerful debut about gambling men is 30 years old, born as the Eighties entrepreneurial boom was starting to sour but before poker become a game for mathematical whizz kids. What it reveals as it maps the male psyche seems as pertinent as ever.
theartsdesk on Vinyl: Record Store Day Special 2025
What Record Store Day exclusives are available this year?
Record Store Day 2025 is tomorrow (Saturday 12th April 2025)! At theartsdesk on Vinyl we’ve been sent a selection of exclusive RSD goodies. Check the reviews. Then check your local record shop! See you amongst it.
THEARTSDESK ON VINYL CHOICE CUT FOR RECORD STORE DAY APRIL 2025
Marianne Faithfull Burning Moonlight EP (Decca)
Album: The Waterboys - Life, Death and Dennis Hopper
An alternately involving then naff tribute to a countercultural film figurehead
Donald Rodney: Visceral Canker, Whitechapel Gallery review - absence made powerfully present
Illness as a drive to creativity
Donald Rodney’s most moving work is a photograph titled In the House of My Father, 1997 (main picture). Nestling in the palm of his hand is a fragile dwelling whose flimsy walls are held together by pins. This tiny model is made from pieces of the artist’s skin removed during one of the many operations he underwent during his short life; sadly he died the following year, aged only 37.
Surviving Black Hawk Down, Netflix review - the real story behind Ridley Scott's Oscar-winner
Documentary series looks at the 1993 'Battle of Mogadishu' from both sides
Ridley Scott’s 2001 film Black Hawk Down was a technically superb blockbuster bristling with thunderous action sequences and famous actors, though its gung-ho depiction of the heroics of American special forces during the appalling Somalian civil war always felt a little uncomfortable.