When the history of British theatre’s response to COVID-19 comes to be written, the names of two men will feature prominently: Nicholas Hytner and Nick Starr.
It is 41 years since Peter Shaffer ripped off Mozart’s respectable façade to reveal a foul-mouthed verbally incontinent child-man with no more ability to control his behaviour than his genius. Inspired by a short story by Alexander Pushkin that put forward the theory that Salieri murdered Mozart, he fleshed out bare biographical bones with virtuoso obscenity as part of an extraordinary study of obsession, cut-throat professional rivalry and malignant jealousy.
We're easing out of lockdown, haircuts are being had, and the theatre continually shape-shifts to accommodate these changing times. All credit to the 14 writers who have conjoined forces in urgency and haste to create 846, a collection of audio plays responding to the murder of George Floyd and the Black Lives Matter movement.
Helen McCrory is an actor who can inject a world of feeling into one syllable that many actors would struggle to muster in an entire script. Towards the end of The Deep Blue Sea, she is telling her estranged husband what it was that attracted her to the feckless pilot for whom she has thrown away her marriage.
Stop the presses! For the first time in nearly four months, The Arts Desk can point to the first of several live theatre events amongst the highlights of the coming week: the tour across the nation's car parks to multiple drive-in audiences of Horrible Histories: Barmy Britain, a previous West End mainstay that has adapted with these strange times.
Lorraine Hansberry’s debut, A Raisin in the Sun, was the first drama written by a black woman to be produced on Broadway, where it opened in 1959. It is now an American classic, but it’s her last play, Les Blancs, that in the current context of the Black Lives Matter movement and resistance to institutional racism both in the US and UK feels even more relevant.
Can this weekly lineup really now be three months old? As we move towards at least some degree of relaxation on the social restrictions that have long been in place, the offerings of theatre online continue to afford many a reason not to leave your laptop.
A British-Jamaican man is confused. It's the Second World War, and he signed up for the RAF on the understanding that he would serve as a pilot overseas. But instead he's ended up as ground crew in a grey Lincolnshire village. "You are overseas, aren't you?" sneers his sergeant.
As lockdown continues, National Theatre at Home has announced its final sequence of plays, and several of the very best are being saved for last. That certainly applies to this week's offering, Small Island, whose dissection of Britain's racist past couldn't be timelier.
As we continue into a third month in lockdown, the arts continue to suggest ever-changing worlds beyond. The invaluable National Theatre at Home this week looks across the Thames to a smaller venue's large-scale Coriolanus, starring a certain superhero movie icon, whilst the equally cherished Graeae streams their lively musical theatre tribute to the late Ian Dury.