After C19 delays theartsdesk on Vinyl is back. My initial policy, reckoning that new vinyl would dry up under COVID conditions, was to do regular lockdown mini-editions with the material already set aside here, until it ran out. That didn’t work out. The vinyl, to my surprise, kept on coming. Global crisis be damned! A backlog grew! Thus, theartsdesk on Vinyl 57 is a catch-up on the past couple of months. Due to these factors, a few more records I’d like to have covered were missed and a couple I should have covered this time are held back until June.

A singer-songwriter of somewhat mystical bent, originally from a forested island in the US Pacific Northwest, Kaitlyn Aurelia Smith really came into her own when she discovered vintage synthesizers. In particular, her masterpiece, 2016's EARS, saw her vocals merging into the rich flows of bubbling tones, melodies channelling folk traditions from various corners of the world, creating an unmistakably utopian sound.

Midway through another week of lockdown, here's a cross section of small good things to keep the eyes and ears entertained. There's some lively stuff here for the old grey matter to chew on. Take a look. Dive in!

Neil Young Fireside Sessions

Drew Daniel is never short of concepts, invention or mischief. As one half of Matmos, with his life partner M.C. Schmidt, he has made some 10 official albums and many more collaborative ones – all pushing the boundaries of electronic bricolage and sound processing in the pursuit of extremely complex ideas about American history, plastic surgery, philosophy, queer identity and all that kind of stuff.

Perhaps remarkably, given both their careers as pioneers and inspirations in the world of ambient music, but this is the first duo album from brothers Brian and Roger Eno – although fans will treasure their music as a trio with Daniel Lanois on 1983’s marvellous Apollo.

Robert Henke is to techno fans as Leo Fender and Les Paul are to rock lovers. The Ableton Live software which he co-created is every bit as influential as any guitar they built, and probably more used. However, of course, being just a piece of code, it could never be iconic like a guitar. This performance was partly inspired by that fact: as Henke explained in his preamble, he's fascinated with a time when computers were a whole lot simpler and, perhaps, cooler to look at.

Canadian DJ-producer Philippe Aubin-Dionne – AKA Jacques Greene – has had a successful career in global clubland. One release in particular, his spacey 2011 deconstruction of the song “Deuces” by R&B star Ciara, which he entitled “Another Girl”, created waves in the world of house music. His 2017 album Feel Infinite demonstrated he had vision enough to hold listeners on a longer electronic journey.

It’s not every artist who performs “living funerals” along the way as she tours. Then again, American singer Emily Cross is far from the average rocker. Cross Record was previously Cross and her husband Dan Duszynski, who were also both in the slowcore indie “supergroup” Loma. However, this third Cross Record album was made solo, after a move to Mexico following her divorce, also alongside newfound sobriety.

Thom Yorke is frontman of Radiohead, a festival-headlining rock band who sell out stadiums all over the globe. His artistic aspirations, however, right back to Radiohead’s Kid A album 19 years ago, often seem to lie elsewhere, in the world of glitching, otherworldly electronica.

The first thing you notice when listening to the debut album from Austrian duo Molly (Lars Andersson and Phillip Dornauer) is that it is a collection lit with the glow of confidence. Introducing themselves with a delicately paced 15-minute Mogadon-prog epic denotes a certain slow-burning swagger, but it is surrounded by a sense of grandeur rather than the grandiose.