Everyone’s doing Weinberg now, or so it seems. The Polish-born composer who became a close friend of Shostakovich was born 100 years ago, and there’s plenty of his music to go round.

The times they are a-changin’. On show at the Barbican is a retrospective of Lee Krasner’s stunning paintings and, for the first time ever, Tate Modern is hosting two major shows of women artists. At last, the achievements of great women are being acknowledged and celebrated.

"In our country the capable man needs luck," belts out Shen Te, the Good Person of Szechwan in the most powerful song of Brecht's epic "parable play" of 1941. "Only if he has powerful backers can he prove his capacity." Never was that more true than in Russia today; note that the Moscow Pushkin Drama Theatre has been resident at the Barbican for five days "with the generous support of Roman Abramovich".

There is no doubt that this Cherry Orchard, whirled into town by Roman Abramovich from Moscow, is going to be divisive. If you, like the two elegant old gentlemen sat next to me on press night, have come to see the Pushkin Drama Theatre’s production in order to steep yourself in Chekhov’s philosophical ambiguities and perhaps brush up on your Russian, you will be disappointed.

There was a lovely moment at the beginning of this Panorama where David Dimbleby was chatting to a schoolgirl – not just any schoolgirl actually, because she came from a family of 10 children, which surely makes her a bit out of the ordinary, even in Russia, Putin’s or anyone else’s.

McMafia has taught us to recognise one thing – you might call it the “Norton stride”. As the charismatic Alex Godman, James Norton has been advancing, confidently at screen centre, towards one challenge after another, and they have been coming (mildly put) from all sorts of unexpected quarters. He’s dealt with everything by pressing onwards, ignoring advice from all and sundry.

Part travelogue and part broad analysis of the current and future challenges facing the EU, the premise of Bruno Maçães’s new book The Dawn of Eurasia is to “use travel to provide an injection of reality of political, economic and historical analyses.”

It’s not the first time that James Norton has kicked off BBC One’s New Year primetime celebrations in Russian style. Two years ago, he was costumed up as the courageous Prince Andrei, in illustrious ensemble company for Andrew Davies and Tom Harper’s War and Peace.

“There is something odd, I suppose, about anyone who betrays their country.” It’s an excellent opening line, particularly when delivered in director George Carey’s nicely querulous narrative voice, for Toffs, Queers and Traitors (BBC Four).

"Ura!" as soldiers cry in Russian epic opera's last fling, Prokofiev's War and Peace: supertitles have arrived at the Proms, after much special pleading here and elsewhere.