Their PR cannot put the band name in the header of promotional emails, as they’ll go straight to the spam bin, but Swedish punk outfit Viagra Boys have, nonetheless, become a name to contend with. It’s their wild live persona that’s put them on the map but their second album raucously – and tenderly – demonstrates they also have the range and the songs to explode into something bigger.

The title of Swedish director David Färdmar’s feature debut gains a degree of helpful context from one of its opening lines, “But there’s no more we”.

It’s fair to say that the idiosyncratic, surrealist films of Roy Andersson are not everyone’s cup of tea. Whether you find his films impregnable or incisive, it’s impossible to argue with the artistic imprint the Swedish auteur has had on European cinema. Now at the age of 77, he has made his last film, About Endlessness.

A lot of rain and untold bliss: those were the takeaways from Saturday night’s alfresco Opera Holland Park concert performance of Stephen Sondheim and Hugh Wheeler’s eternally glorious 1973 musical, A Little Night Music.

"Touch her and you die," sings Masetto in telling Don Giovanni to keep away from his Zerlina. There's certainly trouble, though not instant death, when fingers briefly meet. Mozart's dark comedy has much in Da Ponte's text about hands-on business but only a few points where it's actually seen; love and sex don't really happen, though there are two skirmishes, one fatal.

Korngold: Violin Concerto, String Sextet Andrew Haveron (violin), RTÉ Concert Orchestra/John Wilson, Sinfonia of London Chamber Ensemble (Chandos)

At last, it seems, one venerable British institution will be emulating what Scandinavian and Czech set-ups have been managing over the past month: live performances from an audience-less venue, though in sound only. In quickly reorganised scheduling along with BBC Radio 3, the Wigmore Hall features a host of its top regular artists in June lunchtime concerts.

“Whipped cream with knives” is how Harold Prince, who directed the Broadway premiere of A Little Night Music in 1973, famously described this particular Sondheim show. And nowhere is that borne out with more exquisite agony than in this duet between two unhappily married women.

Buried lyrical tremors barely disturb Little Dragon’s blissed electronic R&B, on the former Gothenburg schoolmates’ fifth album.

Judging by her debut album, Malmö singer-songwriter Alice Boman’s frosted-glass musical aesthetic has the odd hint of Mazzy Star and draws from the sound world created for Twin Peaks – a similar outlook to Gothenburg’s El Perro del Mar. Dream On is not the full story though. Boman’s first record was released in 2013 and, since then, she has issued another EP and a few singles.