You are staring at your computer screen; you are literally you. And now, through the wonder of modern technology, you can jump into the mind of, and take over, the security head of a near-future corporation's flying fortress. You control his speech, movements, decisions. That's how Consortium starts.

You jump into Bishop 6's head just as he wakes up for his first shift on the Zenlil plane/fortress of the global Consortium security force. The game uses Bishop 6's status as new kid, and your status as new kid inside Bishop 6, to toy with you throughout.

For lovers of PS2-era games, the conversion of titles like GTA 3 and GTA: Vice City to mobile platforms has delivered a welcome dose of retro-gaming thrills, but for real fans of Rockstar's crime epics, a visit to San Andreas is the one they have been waiting for. The eighth game in the GTA series was a big step forward in terms of the explorable area and the sheer number of things you could do in the game.

Set in an icy, fantasy Norse-influenced world, with an art style based on the 1950s work of Disney artist Eyvind Earle, The Banner Saga is immediately, aesthetically, vastly different from most videogame fare. But it's not just in visuals that it strikes out.

The Banner Saga's key innovation is in making the player feel far less heroic. This isn't about saving the universe, it's about surviving the next battle.

It is amazing what canny developers can now do, in terms of visuals, on mobile devices. Archangel's makers proudly trumpet its near-console level of graphical pizzazz and they're right to. Sadly, in copying console games' visual acuity, Archangel's makers seem also to have copied console games' general lack of imagination.

2013 was, according to Metacritic, the review scores aggregator site, the worst year for high-scoring videogames in a console generation. In other words, last year was really quite rubbish for videogames. Can 2014 do any better? Here's what might...

Like some kind of slow-witted zombie, mainstream games (on console, mainly) have been decapitated, disemboweled and run flat over, but don't quite know it yet.

Art? Emotion? Intelligence? If you want proof that videogames can provide all three and far more, the burgeoning "indie" scene provided plenty of evidence this year. While mainstream games-makers continue to choose to drive towards photorealistic graphics at the expense of all other elements, independent games makers built on the success and critical acclaim of titles in the last few years, such as Minecraft, Fez and Braid, to innovate in narrative form, emotional response and interactive play.

This Christmas, it is probably worth remembering that you should never re-heat turkey. You could run the risk of food poisoning and a grim Boxing Day. This advice should also apply to other birds and.. well, you can probably see where I am going with this.

As ever with videogames, one great success can lead to many failures. The success in this case was the breakout "sandbox" genius of Minecraft. On its surface, Minecraft is essentially a faithfully blocky attempt to bring Lego bricks into games. But unlocking both the power of collaborative working and the sheer size and scale of Minecraft's possibilities has allowed people to build all sorts of insanely grandiose designs within their virtual worlds. Of course, where Minecraft led, others followed – more's the pity...

This might be the best smartphone first-person shooter (FPS) yet. It's a tricky genre to get right on a touchscreen. Above all the usual FPS considerations of 3D frame rate, varied levels and enemy AI, you need a well thought out control scheme that responds to the touch. Neon Shadow nails the latter and doesn't do too badly on the others.

Plot-wise, Neon Shadow is a dud. Something about a rogue AI on a space station. Or something. You are a Dude who must go and shoot it in the face. Standard.