Offshoots of the Venezuelan El Sistema’s worldwide dissemination as well as other youth and music projects continued to bloom and grow in 2014. The morning after what was the orchestral concert of the year for many who caught it, Alexandra Coghlan (see below) and myself included, players of the European Union Youth Orchestra reconvened in the Albert Hall to workshop three classics with musicians from nine British youth orchestras and London schools.

In 2014 theartsdesk film team presents their picks of the year with a list of 13 diverse titles from great homegrown and international directors. Thirteen is the number of theartsdesk film critics who voted in our end-of-year poll so we have compiled our list so each of our wonderful writers can act as a champion for one of their personal picks. Sci-fi, comedy and thrillers feature alongside slow cinema and experimental arthouse, showing off a range of tastes. 

That old canard about there being no good roles for women needed revising time and again in the theatre year just gone, so much so that end-of-year judging panels for the year's best faced far more competition among the female contenders than they did among the men (such supreme all-male ensembles as the My Night with Reg team notwithstanding).

It may not have been the most stellar year for comedy at the Edinburgh Fringe, but 2014 was made memorable not just by a long-awaited reunion, but also by witnessing a fine solo debut of a performer we're more used to seeing as part of a terrific double act. It was fun, too, to see the development of talented live performers – some newbies, another continuing to find her voice after a few years in the business. And lastly for seeing others keeping on doing what they do very, very well.

Monty Python, O2 Arena London

From the clubs of Berlin to the pubs of Birmingham, via Somerset and New York, our new music writers select their most memorable gigs of 2014.

When everything works – conducting, singing, production, costumes, sets, lighting, choreography where relevant – then there’s nothing like the art of opera. But how often does that happen? In my experience, very seldom, but not this year. It's been of such a vintage that I couldn’t possibly choose the best out of six fully-staged productions – three of them from our only native director of genius, Richard Jones, who as one of his favourite singers, Susan Bullock, put it to me, deserves every gong going – and one concert performance.

It is a truism that the great tradition of documentary filmmaking has long since migrated to the big screen. Factual takes time which costs money, and squeezed television producers rarely have enough of either. It's not uncommon for films shown in Storyville, the BBC's admirable international strand, to have started out with a cinema release. And yet somehow 2014 saw some very solid, respectable work in factual.

Search for shops which still sell classical CDs and it’s likely that you’ll be disappointed, in the UK at least. Peruse the surviving major labels’ lists of new releases and the reissues often outnumber the new recordings. But we live in an age when it’s never been cheaper, or easier, to discover good music in great performances. You just need to know where to look. Scanning an online retailer’s catalogue will never be as enjoyable as browsing through the racks in a well-run shop, but it means that virtually anything can be obtained within a few days at the click of a mouse.

The best games of 2014 were often to be found not from the "AAA" videogame equivalents to Hollywood, but, of course, bedroom coders and small, independent teams. These are the best of the wild and weird "indie" games of the year…

Minecraft Pocket Edition