Rose Matafeo, Soho Theatre review - sassy and she knows it

★★★★ ROSE MATAFEO, SOHO THEATRE New Zealand comic with original takes on the big stuff

New Zealand comic with original takes on the big stuff

New Zealand comic Rose Matafeo is a fan of romcoms and has decided she is destined to appear in one at some point in her career. As she explains, it's not possible – as a mixed-race woman – to play the film's heroine, but she is surely a shoo-in for the role described in show's title, Sassy Best Friend; after all, she has the wild hair, the specs and the perky personality that such a character demands.

Hannah Gadsby, Soho Theatre review - misogyny explored

★★★★ HANNAH GADSBY, SOHO THEATRE Straight-talking comic takes no prisoners

Straight-talking comic takes no prisoners

Hannah Gadsby was awarded best show (jointly with John Robins) at the 2017 Edinburgh Comedy Awards for Nanette, which had already been given the equally prestigious Barry award at last year's Melbourne Comedy Festival.

Andrew Maxwell, Soho Theatre - insightful political comedy

Brexit and beyond

“I don't want to talk about Donald Trump,” Andrew Maxwell tells us as he comes on stage at the beginning of Showtime, because no matter what comics make up about the US President, he then goes and does something more weirdly comic, more comically weird, than they could ever invent.

Best of 2017: Comedy

BEST OF 2017: COMEDY The shows that have stayed in the memory

The shows that have stayed with me

The Edinburgh Fringe is usually the high point of the year for comedy, but in truth it wasn't a solid five-star year – although there were some stand-out performers. And if the test of good comedy is the shows that stay with you, and which you want to see again, then a few are definitely up there.

The Elvis Dead, Soho Theatre review - schlock horror told through Elvis songs

★★★★ THE ELVIS DEAD, SOHO THEATRE Schlock horror told through Elvis songs

Excellent spoof tells the story of Evil Dead 2 through the oeuvre of the King

A fair few Edinburgh Fringe shows are just that – things that work perfectly in the “let's do the show right here” spirit that permeates the festival, in a tiny (and often grotty) venue that adds hugely to the vibe. That's all well and good during August, of course, but come later in the year when a show moves beyond the festival confines it can lose much of its spark.

Natalie Palamides, Soho Theatre review - delightful and disturbing show about motherhood

★★★★ NATALIE PALAMIDES, SOHO THEATRE Delightful and disturbing show about motherhood

Playful and knowing character lays an egg every day

It's not often the publicity material for a comedy show has a health advisory attached. If you are allergic to eggs you may have to give Natalie Palamides' show Laid – which won best newcomer at the lastminute.com Edinburgh Comedy Awards at the Fringe in August – a miss, and that would be a shame.

Mat Ewins, Soho Theatre review - multimedia show with twists in the tale

★★★ MAT EWINS, SOHO THEATRE Not just an entertaining Indiana Jones spoof

Not just an entertaining Indiana Jones spoof

Mat Ewins comes on stage with a bullet belt slung across his chest. Indiana Jones he ain't, but what follows is a spoof on that film genre, a convoluted narrative that makes little sense but has a large degree of bombast as the show's title, Mat Ewins: Presents Adventureman 7 – the Return of Adventureman, suggests.

Ahir Shah, Soho Theatre - a bravura response to Brexit vote

Angry, passionate and political

There were a lot of shocked and disappointed people after the EU referendum last year and several comics have used the result to fashion some good comedy, delivering state-of-the-nation material in their shows. For Ahir Shah, though, the more he thought about the result, the more he took it personally.

Expensive Shit, Soho Theatre, review - 'strong but slender'

A tale of two toilets: Edinburgh Fringe First winner comes to Soho Theatre

It’s hot. Real hot. And you’re dancing, just lost in music. You’re at the legendary Shrine nightclub in Lagos, where Afrobeat star Fela Kuti is king. It’s 1994. And it’s hot. Sweat is just pouring off you, no longer in little trickles but soaking through your clothes. And still you dance. As the beat pounds along, you can hear Fela intone: “Men are born; kings are made”, then something about “one nation, indivisible”, before he says, “War has never been the answer — long live Nigeria!