So Helen of Troy arrives at a church in Fulham via Poseidon’s island palace and a pavilion at the foot of the Atlas Mountains. She’s trickier than ever in the golden but tangled web Richard Strauss and his myth-and-symbol-mad poet Hugo von Hofmannsthal weave around the story of a phantom beauty wreaking havoc on Greeks and Trojans while the real version gets whisked off to the Egyptian desert.

David Crosby hit the headlines a few months back, another artist selling his song catalogue in order to secure his house. These days musicians must stay on the road to earn a living and sell records. It’s a punishing life, even for the young and fit. When you’re pushing 80, especially when you’ve spent years punishing your body, it becomes a real challenge, but it’s the only way to survive.

Nancy Mitford's 1945 literary sensation looks poised to be the TV talking point of the season, assuming the first episode of The Pursuit of Love sustains its utterly infectious energy through two hours still to come.

Manchester’s Psappha have been proudly flying the flag of new and radical music right through the year of lockdown, and last night’s livestream, with two-and-a-half world premieres, one of them by Mark-Anthony Turnage, showed they haven’t given up making waves.

A word about grief. Many of us have learned a lot about it this past year; many knew about it before that. When someone we love dies, we grieve. This is normal. This is human. It is agony, but it’s not actually a mental illness. Having Paul, the hero (or anti-hero) of Erich Wolfgang Korngold’s Die tote Stadt be marched off stage by those in white coats at the end is therefore not only a directorial cop-out. It also prevents this overwhelmingly emotional opera from doing what it does best: providing catharsis.

Blues singer Bessie Smith (1894-1937) had much more than an astonishingly powerful voice.

Stuttgart-born auteur and film theoretician Paul Leni, whose illusionistic production designs and direction of Waxworks (1924) helped define German Expressionist cinema, was 44 and approaching master status when he died of sepsis on 2 September 1929.

The LPO, and its soon-to-depart chief conductor Vladimir Jurowski, began its 2020 Vision season back in February. It set out to mix and match the music of three centuries and show how it echoes in contemporary works. Well, little of that turned out quite as planned: this final concert at the Royal Festival Hall was meant to premiere Sir James MacMillan’s new Christmas Oratorio, now scheduled for the Concertgebouw in Amsterdam on 16 January. That outsourced event feels like a saddening symbol of Britain’s interlinked catastrophes this year. 

They say "never meet your heroes". That may be true, but it forms the premise of a new TV drama concerning two of the world’s most famous children’s authors – Beatrix Potter and Roald Dahl – who encounter each other at opposite ends of their life. 

There was always bound to be a hint of melancholy watching George Wolfe’s Ma Rainey’s Black Bottom. Try as you might to focus on the film, you can never quite shake the fact that you’re watching the final performance of Chadwick Boseman, whose life was cut tragically short this year from bowel cancer.