It wasn’t quite Ali vs Frazier. But the 1968 debates between William F Buckley, Jr and Gore Vidal were as bruising (nearly literally) as TV had seen, and haunted the protagonists for the rest of their lives. Morgan Neville and Robert Gordan’s documentary claims its aftershocks also damaged TV and America in ways we’re still suffering through.
We get the big city views of Chicago, the bright lights and the skyscrapers, a few times in Kim Longinotto’s Dreamcatcher, but for the most part we’re planted firmly down at street level, in areas of town probably you wouldn’t want to go to, a fair amount of the time at night. That’s where we first meet the film’s protagonist Brenda Myers-Powell (though I don’t think we ever actually hear her addressed by her surname), who’s cruising the streets, handing out condoms to any prostitute she can find.
The Wachowskis' sci-fi blockbuster has been getting a kicking from the Stateside critics, but perhaps that's because it's a bit of a shape-shifter with multiple personalities. Part dystopian fantasy, part fairy tale, part cosmic epic, all rolled up in a whole lot of astonishingly vivid special effects, Jupiter Ascending is like spending a day at Alton Towers with your brain marinating in mescaline.
Heralded as the first true "next-generation" videogame, Watch Dogs has either been hugely overhyped or the imaginative leap required for a true new generation of videogaming is entirely absent from mainstream games. Because this cyberpunk-inflected hacking action-adventure offers virtually nothing new.
“Consider the donut!” One might have assumed that a significant chunk of Tracy Letts’s Superior Donuts would be a heartfelt ode to the fried dessert cake itself. In fact Letts’s play, set in a donut shop nestled in an economically and culturally diverse borough of Chicago, dwells on the personal and political make-up of the shop’s most dedicated staff. All two of them.
The annual reappearance of The Good Wife is always a cause for celebration. Why they persistently park it in the twilight zone of More4 remains one of the enduring mysteries of our era, since it's one of the best shows on TV, but the only question that need concern us is: will season five be as good as the ones that came before? On the evidence of this opener, yes indeed, so much so that American critics have been hailing it as the best ever,
Orgasms aside, it was When Harry Met Sally’s edict that sex always gets in the way of male-female friendships that hit home. Drinking Buddies comes to more nuanced conclusions, as we watch Kate (Olivia Wilde) and Luke (Jake Johnson) steadily drink and comfortably banter during and after work at a Chicago micro-brewery, and wonder just when they’re going to leave their straitlaced partners, Chris (Ron Livingston) and Jill (Anna Kendrick), pictured below.
Arturo Ui, king of the Chicago cabbage trade, is Brecht’s Richard III. Egad, he even speaks in iambic pentameters, with a fair few nods at Shakespeare, though a certain cowlick and moustache locate him firmly at the centre of the 20th century nightmare. The problem for any actor, grateful though he may be for such a role, is that unlike Shakespeare’s Richard, Brecht’s Arturo starts out as an idiotic, malapropist thug, loathed by all: how to transform him credibly into a sleek, terrifying tyrant?
Chicago’s Disappears aren’t playing it easy with their fourth album Era. Their name doesn’t appear on the front cover. Nor does the title. The song titles are only on the disc and can’t be referred to while the album is playing. No internet addresses are given. The band seem to be taking their chosen name literally and leaving the music to do the talking.
Rodion G.A.: The Lost Tapes