Of all the 400th anniversary tributes to Shakespeare, this ramble through an allotment just outside Brighton has to be one of the oddest, and most unexpectedly moving. Brighton Festival has a reputation for site-specific work, rediscovering secret pockets of the city and surroundings. This year it’s the turn of Roedale Allotments, a sprawling site of 200-plus plots hidden within a tree-lined valley. It’s a ramshackle rural idyll with a distant twinkle of the sea.

Tindersticks certainly know how to instill a mood. Outside the Dome Concert Hall the start of the Brighton Festival is in full swing, with a proliferation of tents, parades and shiny happy tourists drinking in the sun. Inside, Stuart Staples is singing “don’t let me suffer” in a wracked warble to a video of a lone woman floating naked in a distorted swimming pool.

You’ve arrived at a party in a pub, tagging along with a guy you just met. You’re attempting to catch the barman’s eye, while scouting for a friendly face. The band declares that everyone must dance to the next one, and you wish you’d ordered a double. A man you’d like to speak with keeps walking past, but you can’t think of a single opening line. This situation is seriously awkward. And that’s before you factor in the real reason you’re here.

Brighton Festival is a fantastic, exhilarating, leading annual celebration of the arts, with events taking place in venues both familiar and unusual across Brighton & Hove for three weeks every May. This year, the Festival celebrates 50 years of commissioning and producing innovative arts and culture with the experimental artist and musician Laurie Anderson, who is guest director.

Enter this competition for a chance to win a fantastic break for two over the closing weekend of Brighton Festival (Friday 27-Sunday 29 May).

The prize package includes:

Beth Orton (b 1970) is a singer-songwriter who first came to prominence via her collaborations with the Chemical Brothers, at the start of both their careers. She recorded an album with the producer William Orbit in 1993 but it was her 1995 album, Trailer Park, a canny amalgamation of folk and electronica, that really put her on the map as a solo artist. Since then, spending increasing amounts of time in the US, she has recorded a series of critically acclaimed albums, the latest of which, Kidsticks, her seventh, appears in May.

Alexei Sayle (b 1952) first came to fame at the birth of alternative comedy, as MC at the Comedy Store in London at the dawn of the 1980s. He cemented his reputation via his recurring role in the anarchic student sitcom classic The Young Ones, as well as appearances in a number of Comic Strip Presents… films. He has written and fronted a host of sketch shows, including the Emmy Award-winning Alexei Sayle’s Stuff.

Charles Linehan is an acclaimed British choreographer, whose company has performed all over the world, from DanSpace New York to Brussels’ Kaai Theatre to the Venice Biennale. Born in Cyprus and raised in Kent, he studied at the Rambert School of Ballet and Contemporary Dance, prior to honing his craft as a dancer with various European companies.

With the 50th Brighton Festival taking place this year, Festival CEO Andrew Comben meets theartsdesk for a chat about the original 1967 event, and its relationship with this year’s Festival. Comben has been the Brighton Festival's overall manager since 2008, also overseeing the Brighton Dome venues all year round. He shares the festival’s curation this year with Guest Director Laurie Anderson.

Marc Rees (b 1966) is an interdisciplinary artist-performer from Wales whose works are renowned for imaginitively mixing media, as well as for their underlying sense of fun. Over the years he has been based in Berlin, Amsterdam and Canada, and now runs the collaborative arts company RIPE (Rees International Project Enterprizes).

The Brighton Festival 2016, which explodes into life again this year on Saturday May 7, has revealed its programme. Guest Director Laurie Anderson sent a short film in support of the occasion, while Chief Executive Andrew Comben, acknowledging this as the 50th edition of the Festival, added: “Every year since 1967 some of the greatest artists, performers and thinkers have come together with some of the most open-minded and enthusiastic audiences anywhere for a festival whose home is one of the most artistically rich and geographically blessed places in the country.”