Rock'n'roll rejuvenators, Eurovision winners with more of their songs streamed online than there are people in the world, the glammy young Roman rockers have opened for The Stones in Las Vegas, delivered a city-stopping sold-out show at Rome’s historic Circus Maximus and been hailed as “America’s New Favorite Rock Band,” in the Los Angeles Times.
Rome, 14/15 June 1800: the specifics of the original Sardou melodrama are preserved in Puccini’s thriller mixing love, lust, religion and tyranny. Many productions move forward in time, and sometimes change the place, with ease: after all, feudalist power-abusers remain with us. Director Christof Loy decides that police chief Scarpia and his allies should be of the era following the French revolution, while artist Cavaradossi is a “timeless” freedom fighter.
One of those films weighed down by a considerable reputation, La Dolce Vita (1960) is rarely taken as seriously as it should be. From the very first sequence in which a figure of Christ sails across Rome’s skies, suspended from a helicopter, a sensational image that summed up the spiritual bankruptcy of the time, until the last when an innocent and beautiful girl smiles quizically in close-up, this is a deeply moral film.
Choral singers have suffered more than most from erratic and irrational Covid prohibitions while riskier mass pursuits have gone ahead. So when one of the world’s great choirs returned to the Proms with the conductor who has guided them for over half a century, the sense of occasion was palpable. Last night the Monteverdi Choir numbered 30 – not huge by Royal Albert Hall standards – but the joyfully exultant music that they made filled the dome with a boundless grandeur.
It looked as if the Royal Opera might be trying to keep its distance with the first new production since lockdown.
Ancient Rome has always been a popular playground for film and TV, whether it’s Ben Hur, Gladiator or the 2005 TV series Rome. This Italian-made series for Sky Atlantic was shot at the renowned Cinecittà Studios in Rome, where Visconti, Leone, Scorsese and Bertolucci have all worked, but sadly none of that old-time movie magic has rubbed off on it.
Silent Action makes for a snappier title than the original La polizia accusa: il Servizio Segreto uccide, though the frenzied action in Sergio Martino’s 1975 thriller is anything but silent.
The Night Porter depicts the consuming sadomasochistic love affair of an SS officer, Max (Dirk Bogarde), and the Catholic woman, Lucia (Charlotte Rampling), whom he both tortures and protects when she is a teenage concentration camp inmate, and who becomes his partner in a protracted liebestod when they meet by chance in Vienn
Debussy: Images, Prélude à l'après-midi d'un faune Hallé/Sir Mark Elder (Hallé)
