One of the most striking scenes in Andrei Tarkovsky’s 1972 outer-space allegory Solaris is psychologist Kris Kelvin’s first encounter with a being which seems to be his wife, who had died a decade earlier. The unsettling incident’s inherent tension is heightened by its sonic backdrop: rumbling, a peculiarly musical pink noise, lightning-like bolts of sound. This was created on the ANS synthesiser (AHC in Russian script), a device invented in Soviet-era Russia.

“There's a richness and a true depth here that places Jeopardy alongside (U2’s debut album) Boy as early Eighties tonics for ailing mainstream-rock. The Sound are on to a winner. There isn't one track here that isn't thoroughly compulsive. Overall it's a vastly impressive sound, with as much energy as I've heard on any record all year…the result is a form of sheer power-rock that doesn't make you blush or grimace.”

Had Blossom Dearie overtly embraced pop, her vocal style could be characterised as along the lines of Priscilla Paris, Jane Birkin or Saint Etienne’s Sarah Cracknell – intimate, a little breathy, oxygenated. However, jazz was her bag and June Christy, Peggy Lee and Norway’s Karin Krog are the closest reference points.

“It all started with a June 7, 1976 article in New York magazine about Queens, New York working-class young adults who flocked to a local disco in platform shoes and outlandish clothes to perform organized dances. [Bee Gees manager] Stigwood read Tribal Rites of Saturday Night, and immediately bought the rights from the author, seminal rock critic Nik Cohn.”

The words “Mersey” and “beat” were first publicly paired-up in July 1961 when a newspaper titled Mersey Beat went on sale in Liverpool. The debut issue – dated July 6-20 1961 – was distributed to newsagents. Its editor, art student Bill Harry, personally delivered copies to 28 other shops. It was also on sale at local clubs and jive halls. The NEMS store’s Brian Epstein took 25 copies of the first issue. The print run was 5000 copies.

“It takes a real effort to sound this small, this timid; to resist the effort to rock out and kick pedal. Singer ‘Amelia’ (oh yeah, I bet that’s her name) has spent her entire adult life pretending she doesn't menstruate. The rest of her band, too, look like the sort of fanzine autistics who still wear dungarees at 30”.

Donovan’s “Sunshine Superman” was the UK’s first explicitly psychedelic record. Although there were delays with it hitting shops, it was recorded in December 1965. A large part of its impact came through the instrumentation and arrangement. Jazz players were on board, playing in a folky way without abandoning their core musical sensibilities. The ground-breaking arranger responsible was John Cameron.

“This is a record company’s idea of new wave. Clichéd heavy metal riffs and someone shouting in a cockney voice. This is a con and I hate it”.

Notwithstanding that it would be a record company’s idea of things as just such an organisation was putting the record out, Geoff Travis, of the Rough Trade record shop, was unequivocal in his view of Cock Sparrer’s crunching debut single “Runnin’ Riot” for Record Mirror in July 1977.

In July 2007, an article in The Guardian expressed surprise that shoegazing was influencing a series of current musicians, Blonde Redhead, Deerhunter, Maps and Ulrich Schnauss amongst them.

“You could hear the heady, woozy influence of a style of music that had been a byword for naffness and overindulgence for the past 15 years,” said the article’s opening paragraph. “A type of music that Richey Edwards of the Manic Street Preachers had said he ‘hated more than Hitler’".

Amongst the stranger recordings surfacing in 1977’s summer of punk was the version of Sex Pistols’s “Pretty Vacant” appearing on the budget Hallmark label album Top Of The Pops Volume 60 – the latest in a long-running series collecting ostensibly sound-alike versions of current hits recorded by anonymous session musicians and singers in a Wembley studio.