The Candy Company. Evergreen Tangerine. The Lollipop Fantasy. The Pretty People. The Primrose Circus. “It's a Groovy World.” “Meadows and Flowers.” “Summer Flower (She's on my Mind).”
Two snapshots of Jamaica’s music, each catching styles associated with specific periods. The two CDs of Catch-A-Fire - Treasure Isle Ska (1963-1965) collects 47 tracks originally issued by Arthur ‘Duke’ Reid’s Duke Reid, Dutchess and Treasure Isle labels. Top Ranking DJ Session Volumes 1 & 2 is titled after two vintage compilations – the double CD compiles 44 tracks recorded by Joe Gibbs over 1977 to 1979.
The British music weeklies were clear about where the Sound-On-Sound LP and its singles fitted into the current musical topography when they were issued in 1979. Comparisons offered up included Magazine, Talking Heads and XTC. And, more curiously, The Tubes. Whatever the assessments, the band behind these releases was new wave.
In summer 2001, The Best of Roxy Music reached number 12 on the album charts. The 18-track compilation tied-in with the band’s reunion tour, which kicked off that June. Original band members Bryan Ferry, Andy MacKay, Phil Manzanera and Paul Thompson came together for the dates. They’d last played live in May 1983, after which they split.
“We played the Rolling Stones concert at Long Beach Arena. The Stones came on, and it was the first time that any band had ever done better than us. I was very angry about that.” Randy Holden was The Sons of Adam’s guitarist. He was pretty certain of his own band’s impact in November 1964.
Eddie and the Hot Rods played London’s Rainbow on 19 February 1977. A big deal, the Saturday headliner was at the largest venue they’d been booked into to date. Their debut album Teenage Depression had been issued in November 1976 and this confirmed them as an on-the-up band just as punk was asserting itself.
In late August 1962, Liverpool’s Swinging Blue Genes were booked to play Hamburg’s Star-Club for the first time. At the opening show of their season, they were booed and the curtain was pulled across them. The audience took against their mix of skiffle and trad jazz. A musical rethink was needed.
Lou Reed went to the Baldwin, New York post office on 11 May 1965 to mail himself a five-inch reel-to-reel tape with 11 recording of songs he had written. The sealed package was registered and stamped, and also signed with that date by a local Notary Public, Harry Lichtiger – a partner at Baldwin’s Nassau Chemists.
“Telstar” was released 60 years ago this week. On 17 August 1962, British record buyers could purchase the second single by The Tornados, a band whose claim to fame until then was being Billy Fury’s back band – their March 1962 debut 45 was fittingly titled “Love and Fury.”
After a burst of gun-shot drumming, “Hot Coffee” instantly hits its groove. Simple but insistent guitar, a rubbery bass line and electric organ all fall into line. For the instrumental’s two-and-half minutes, it is unstoppable.
“Gig Soul Party” is as tight but more ornate as the organ playing incorporates flourishes. There’s a spindly solo guitar line and some funky-drummer drumming too. But it’s as effective. Dance floors would have been crowded.