This new collection, compiled by Bob Stanley and Pete Wiggs of Saint Etienne, aurally delineates a period when much that was British had an edge of bleakness. Accordingly, Three Day Week – When the Lights Went Out 1972–1975 ought to be a grim listen, a slog during which the mind is improved and new outlooks are brought on board but is as lively as a tractor reversing through swiftly setting concrete.

Until now, Rema-Rema’s only release was a 12-inch EP released in August 1980. It had hit shops after the band fell apart at the end of the previous year. Negotiations with 4AD, a new offshoot of the Beggar’s Banquet label, were underway towards the end of 1979 but then guitarist and future Adam and the Ants-man Marco Pirroni left. They rehearsed without him but called it a day in November. Yet 4AD issued that EP, titled Wheel in the Roses.

The US music trade weekly Cashbox chose a picture of the then-hot Diana Ross & the Supremes and Temptations joint enterprise for the cover of its 14 December 1968 issue. On page 28, under the header “Best Bets”, a review of the “It’s the Loving Season” single by The Vareeations (pictured above) said “Standout female lead makes an especially fine showing on this blues-pop ballad side.

Writing in 1980, the musician and musical theorist Chris Cutler said that “without the support and patronage of the culture-establishment, The Residents were able to exist, continue to exist, grow, find their public, hold that public – and expand it – until the pop establishment was forced to take notice.” He contended that as they were neither musicians or part of music sub-culture they “exemplified a new type [of development], specialising in nothing, turning their hands to anything: a type whose aims were no longer conceived in terms of music, theatre, film, writing or the visual arts, b

Although American, Sparks’ initial commercial breakthrough was in the UK where their rococo art-rock chimed with ears attuned to, say, Roxy Music. Their sensibility has always been more European than American. In 2009 they issued an album titled The Seduction of Ingmar Bergman. Its theme was a flight of fancy which took the Swedish director to Hollywood. Later, in 2015, Sparks and Franz Ferdinand collaborated as FFS. As ever, Sparks were a bridge between Europe and the USA.

The tapes from which Musical Prophet: The Expanded 1963 New York Studio Sessions is sourced were found in a suitcase Eric Dolphy had given to musical polymath Hale Smith and his wife Juanita before setting off on a European tour in 1964. What was handed over by the prodigious multi-instrumentalist for safekeeping has never before been fully explored by an archive release. Dolphy did not return from that tour.

Full marks for shoehorning-in the names of city’s two major football teams into the title of Manchester - A City United In Music. But this spiffy double-CD compendium roams further than the boundaries of the titular metropolis. Leigh, Salford, Stockport, Timperley and Warrington are in the mix too. “Manchester-area” or “Manchester-region” wouldn’t be such snappy designations but the point is made – Manchester is suffused in music.

Of the 20-plus names gathered on the superbly packaged Kankyō Ongaku, it’s likely that only Yellow Magic Orchestra and their members Haruomi Hosono and Ryuichi Sakamoto are familiar to most non-Japanese listeners. Initially, it seems a big ask to hope buyers will fork out for compilation tracking potentially uncharted musical territory but the full title stresses that what’s heard isn’t so perplexing.

Learning that your band’s demos are being issued as an album must be infuriating. Add to that the discovery that the deal to release the LP was made without your knowledge. Then, there was the further surprise that the record was to be released by Parlophone, The Beatles’ label. The complications were compounded by subsequently realising the release wasn’t limited to the UK – inexplicably, the record was also issued in Venezuela

A compilation on which Philip Glass and Terry Riley rub shoulders with Controlled Bleeding and Smegma is going to be interesting. Throw in Data-Bank-A, Dog as Master, NON and Suicide, and it becomes clear what’s striven for is an all-encompassing overview of something particular rather than a miscellany of random names included as attention-grabbers.