Idris Elba has only just appeared as the British Prime Minister in the action comedy Heads of State (2025) – now he's portraying the American President in Kathryn Bigelow's tense political thriller A House of Dynamite.

They say no good deed goes unpunished, so when New York restaurateur Jake Friedken (Jude Law) allowed his wayward and star-crossed brother Vince (Jason Bateman) back into his life, he might have expected to experience a little turbulence. Instead, he finds himself engulfed in a hair-raising struggle to save his career and even his life.

What's going wrong with teenage boys and young men? Like the lauded Netflix series Adolescence, Steve – the second film collaboration between star-producer Cillian Murphy and director Tim Mielants – takes a bold and intriguing approach in its search for answers.

If she decided to run for election, Suranne Jones would probably stand a good chance of winning. The Chadderton-born actress and producer has been a driving figure in British television ever since she became known for playing Karen McDonald on Coronation Street (2000 and 2004). Her vigorous presence and fearless nature made her a force to be reckoned with right from the start.

Conceived and written by Matt Charman, whose CV includes an Oscar nomination for his work on Steven Spielberg’s film Bridge of Spies, Hostage is a rather puzzling mix of political thriller and domestic drama which can never decide whether it’s serious or not.

You wouldn’t really want to belong to the Buckley family, a star-crossed dynasty who run their fishing business out of Havenport, North Carolina. As Bree Buckley (daughter of Harlan and Belle) tells recently-discovered family member Shawn, “I wouldn’t wish us on anybody.”

A thirtysomething American woman with wavering self-confidence, a tendency to talk too much and a longing for married bliss with Mr Darcy at his gorgeous country pile tries to reset her life post-breakup with a grown-up new job in London. Welcome to Bridget Jones country as seen through the lens of New Yorker Lena Dunham. 

Death can be a powerful driver for comedy, as countless stand-ups and sitcom writers will affirm, but it has to be sensitively handled. Dark humour can be, forgive the pun, life-affirming, and an excuse for the tears, whether of pain or pleasure, to flow.

Netflix’s new detective-noir is a somewhat cosmopolitan beast. It’s written and directed by an American, Scott Frank, derived from a novel, Mercy, by the Danish crime writer Jussi Adler-Olsen, and set in Edinburgh (as well as other flavourful Scottish locations). There are plenty of Scots in the cast too, although it’s the very English Matthew Goode (Downton Abbey, The Crown etc) who takes the lead role of DCI Carl Morck.

The trunk in the title is a luxury item, worth 50 million won – just north of £27,000 – shown sinking in deep water in the opening credits. It weaves through one of the classiest recent collaborations between Netflix and Korean TV, a haunting psychological drama that’s balm to the soul after the mob-handed violence on offer here at home.