The beginning of the Israeli-Palestine conflict is officially dated to 7 June 1967, the occasion of the Israeli occupation of the West Bank, including East Jerusalem, during the Six-Day War, but its origins stretch back further.

Lior Raz is Israel’s very own man with a very particular set of skills. However, unlike the looming 6ft 4in Liam Neeson who plays Bryan Mills in the Taken films, Raz is stocky, shaven-headed and clocks in at a mere 5ft 7in.

The mandolin is an instrument everybody has heard of without necessarily knowing much about it. Its history has been written by lovers of the instrument, often amateur players who are drawn to its approachable and appealing character, integrating it into their own lives, and in turn popularising it throughout the world.

I am not the first to say this, and I won’t be the last, but what a strange year 2020 has become! I am learning afresh what it is to be both a singer and a parent and, although we have all been kept closed in our little home “bubbles,” we are learning what our world and culture looks like to those outside the “music bubble” – about how society values the arts and how different countries have been approaching the problems we are all currently facing.

Tamar, a character in “The Husband”, one of the most appealing, joyful stories in Nicole Krauss’s new collection To Be a Man, spends summers with her feisty mother in Tel Aviv, leaving her New York apartment in the care of a house sitter. When she returns, she has the feeling that she is not really needed by her life in New York, that she’s superfluous to it.

Raed Andoni’s semi-documentary Ghost Hunting (Istiyad Ashbah) is nominally "about" the Israeli treatment of Palestinian prisoners but is an effective, potent denunciation of human rights abuses across the modern world.

Solo plays and performances are, of necessity, the theatrical currency of the moment, whether across an entire season at the Bridge Theatre or last week at the Old Vic in the too briefly glimpsed Three Kings, starring a rarely-better Andrew Scott.

Yoram (Menashe Noy), a vet in a Tel Aviv safari park, knows how to treat a sick jaguar (startling to see such a magnificent beast in an oxygen mask) but he has no idea how to comfort his troubled 17-year-old daughter Roni (a powerful Zohar Meidan). Both are mourning the death of Roni’s mother a year ago, but all they can offer each other is a tortured silence.

At the end of an exhausting day's driving punctuated by disappointments and false leads, the narrator finds herself back at the Israeli town of Nirim where she spends the night. Slipping off early in the morning, she first fills her eyes with the view of Gaza on behalf of her colleagues who grew up there and now live in the West Bank. Driving south, she stops at a cluster of houses that might be a forgotten village.

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The second half of Minor Detail is narrated in the first person by a young Palestinian woman who reads an article about the rape and murder of the captured girl. When she finds out the crime took place exactly 25 years before her birth, she determines to visit the archives to find out as much as she can about the girl and the case as possible – but for that, she needs to travel out of the West Bank. The journey is not far in miles, but as a Palestinian it is not straightforward.

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