Westworld, Season 3, Sky Atlantic review – a cyberpunk triumph
It's still rich and intricate, but now stripped down and ready for action
In the time since the show’s inception four years ago, arguments have raged as to whether Westworld is a dud or a cult classic. For every dedicated fan, there’s someone out there crying, "The Matrix did it first!" and complaining that the plot didn’t make sense (it did).
Extraction, Netflix review - mercenary mayhem
Emotion and action awkwardly collide as Chris Hemsworth bulldozes through Bangladesh
Elizabeth Kay: Seven Lies review - can big-money debut match the hype?
Editor turned writer explores toxic friendship in confessional domestic noir
Earth and Blood, Netflix review - tense and broody thriller ultimately falls short
Julian Leclerc's gangster drama packs a punch but lacks depth
There are quite a few good things to be said for Julien Leclerc’s Earth and Blood. It’s a terse and uncluttered thriller which makes full use of its main location, a battered old sawmill in the midst of a dank expanse of forest, and Leclerc has rustled up a thoroughly unpleasant bunch of gangsters led by the intimidating Adama (Ériq Ebouaney).
The Host review - implausible suspense thriller
Hitchcockian it is not
A camel is a horse designed by committee, they say; perhaps that explains why The Host, with several writing credits – adapted by Zachary Weckstein from a story by Laurence Lamers, screenplay by Finola Geraghty, Brendan Bishop and Lamers – doesn't really know what it is.
Run, Sky Comedy review - vicarious thrills for the self-isolation era
Vicky Jones' ‘Run’ is a sexy, unpredictable thriller about being anywhere but home
Watching Run, HBO’s newest seven-part series, feels like off-the-rails escapism: it’s a fast-paced thriller about dropping everything, chasing intimacy and courting danger. It’s a vicarious adventure centred on a woman who has spent too long stuck at home. Run has hit our screens at the best possible time.
Dark Waters review - an ominous drama with plenty of backbone, but not enough flesh
Mark Ruffalo stars as a remarkable American hero in the latest whistleblower flick
Watching Dark Waters, the latest film from director Todd Haynes (Carol, Far from Heaven), I kept thinking — what’s the opposite of a love letter? The film is based on the work of Rob Bilott, a real-life lawyer who uncovered a corruption scandal so toxic that it was literally poisoning us. Dark Waters stars Mark Ruffalo as Bilott, and it functions as a dignified takedown of DuPont: the chemical giant responsible for the poison.
Parasite review - a class war with grand designs
The have and have-nots go to war, sort of, in Bong Joon Ho's masterful social satire
Deadwater Fell, Channel 4 review - dark murder mystery in a Scottish village
Just what the doctor ordered? David Tennant as a GP under suspicion in a gripping first episode
An idyllic Scottish classroom full of happy children making sponge paintings of flowers with two enthusiastic young teachers – clearly, doom is in the air. Here comes that sense of dread again a little later at a ceilidh in a village hall, with everyone trying a little too hard to look happy. And it’s soon confirmed in a flash-forward to a pathologist wiping down an autopsy table.