Pixar's recent work raises the question, how much overt spiritual guidance do you want in your animation? In their latest film, Soul, middle-school music teacher Joe (Jamie Foxx) aspires to play New York’s famed jazz clubs but is living hand to mouth. On the same day he’s offered a full time teaching post, he also scores a dream gig playing at the Half Note with a top band.

Throughout its preceding five episodes, The Undoing (Sky Atlantic) has skilfully, if a little shamelessly, kept the fickle finger of suspicion in perpetual motion.

Director Claudia Weill’s landmark feature debut benefits from Criterion’s high quality re-issue, which was made possible after the American Library of Congress put the movie on the United States National Film Registry for preservation last year. Made piecemeal over four years, Girlfriends was the first American film to be wholly funded with grants and has been described as the grandmother of independent cinema.  

Plenty of pedigree wattage has been packed into this slickly addictive new HBO drama (showing on Sky Atlantic). The twin headliners are affluent Manhattan couple Grace and Jonathan Fraser (Nicole Kidman and Hugh Grant, the latter basking in the high-end prestige which has accrued since his virtuoso performance as Jeremy Thorpe in A Very English Scandal).

On the Rocks has an unusual premise. Laura (Rashida Jones), a New York City novelist and mother of two young daughters, suspects her husband Dean (Marlon Wayans) is having an affair with a co-worker, Fiona (Jessica Henwick). Laura confides her fears to Felix (Bill Murray) and they’re soon zipping around Manhattan at night pursuing Dean and Fiona in Felix’s dyspeptic Alfa Romeo.

Alicia Keys is a puzzling mixture. On the one hand she’s the hyper-achieving, multi-platinum, 752-Grammy-winning America’s sweetheart, all dimply smiles, positive-thinking ultra sincerity and the kind of showbiz over-emoting and singing-technique-as-competitive-sport so beloved of talent show contestants. On the other, she’s an undeniably interesting artist on multiple levels.

Mahler: Symphony No. 4 Turku Philharmonic Orchestra/Leif Segerstam, with Essi Luttinen (mezzo-soprano) (Alba)

Remember when romcoms didn't try so hard? That question kept going through my head for the first half, or more, of Broken Hearts Gallery, a film from Canadian writer-director Natalie Krinsky that ultimately in tugging at the heart but has to go through some fairly tortured narrative hoops to get to that point.

After months spent sifting amongst the virtual, I'm pleased to report that live performance looks to be on the (socially distanced) rebound. The week ahead sees the start of a six-week run at the Open Air Theatre in Regent's Park of the alfresco venue's seismically exciting revival of Jesus Christ Superstar, this time performed in concert with multiple casts due to the vocal demands of the score.

RKO’s Dance, Girl, Dance was remarkable as a vehicle for two emerging stars, Maureen O’Hara and Lucille Ball, that stealthily radicalised its backstage setting and tried to slap moviegoers out of their comfort zone – probably the reason it failed commercially on release in August 1940.