Julius Caesar, Bridge Theatre review – blood, sweat and bullets
Nicholas Hytner’s rabble-rousing production pits the ruling elite against populism
All hail! Shakespeare’s Roman drama may be enjoying something of a resurgence at present, but it rarely proves as vital and arresting in performance as this. Last summer in the US, a staging at the Public Theater caused a furore and frightened away sponsors by killing off a Caesar who was unequivocally the pussy-grabbing Dayglo President himself. There were also productions in Sheffield and at the RSC.