Beth Ditto protests too much. 'Do you feel young" she hollered early on, before adding "I don't", one of several references during the gig to her age now being 43. Yet the Gossip singer still displayed the glee and energy of a teenager at their first show, even if her band are now into the reunion phase of a career spanning over two decades. 

Marie Ulven had not even stepped onstage and her fans were in raptures. Such was the level of excitement for her second night in Glasgow that sing-a-longs to Chappel Roan and Sabrina Carpenter were ringing out almost as soon as support act Nieve Ella had departed.

The Sound Inside, Traverse Theatre ★★★★★

There was a point in this stadium spectacular when P!nk gave her fans two choices. They could either “make out with their partners or go queue for a beer” she suggested, prior to one of the first slow-paced numbers of the evening, but the latter choice was a dangerous one. Few shows, even among big pop jamborees, feature as much going on as Alecia Moore’s current Summer Carnival jaunt.

The current trend for package tours with two headliners appears to be growing, and this jaunt presented somewhat unlikely bedfellows – the theatrical angst of Billy Corgan’s crew and Rivers Cuomo’s indie trendsetters united by a shared love for guitar histrionics, 90s nostalgia for those who remember MTV2 and not much else.

There was a point in this pop revival jaunt where you could feel members of the crowd wince. Not for the performance, but because Nicola Roberts introduced a song by mentioning it was from “the Chemistry album, which came out 19 years ago”. You could almost feel some in the crowd recoil, as if expecting to crumble to dust at that confirmation of the passing of time.

The most striking thing about the 1976 documentary (restored and re-released by the BFI) is just how polite Billy Connolly comes across as. Not that he's impolite now, but the raucous stage presence and vibrant chatshow interviewee was yet to fully form.

The theme tune to John Carpenter’s horror classic The Thing rang out as Slash and his crew of collaborators took to the stage. Unlike that film’s famous climax though, there was no ambiguity here, for these were experienced stalwarts of rock music putting on a traditional, no frills show with a minimum of fuss.

The Glaswegian comedian Janey Godley, the woman who put the punch in punchline, has what she would call a “mooth” on her. It delivers pith and grit and lots of short words needing asterisks. Though possibly not for much longer, as she is in the throes of ovarian cancer.

Continuing the relationship with choreographer Örjan Andersson – who choreographed their landmark project Goldberg Variations – Scottish Ensemble gave the first of their latest movement-inspired performance, Impulse: Music in Motion in Glasgow on Friday evening.