For finding new popes as much as for hunting down new music, looking to the ends of the earth seems a fruitful route to take. Last night saw the start of the Los Angeles Philharmonic's Barbican residency with their principal conductor, Gustavo Dudamel. And with them, they brought the latest music from the Pacific rim, all of it quite surprising.

Emmanuelle Riva travelled all the way to Los Angeles for that? I doubt I’m the only one whose heart went out to the radiant French actress, newly turned 86, as the 85th annual Academy Awards drew to a long and lumbering close well into its fourth hour.

Hawkwind: Space Ritual

Who ever said making a movie was a glamorous business? Shooting the climactic scene of his most recent film Boxing Day, British-born director Bernard Rose (pictured below right) found himself in the freezing Colorado mountains - so cold you couldn’t even see your breath - with just his two stars, Danny Huston and Matthew Jacobs, and a sound-recordist for company. Rose was his own cameraman, as well as editor, and a major inspiration behind the redemptive musical score.

You don’t need to know that Bernard Rose’s Boxing Day is an adaptation of the Tolstoy story Master and Man, but it does help - somewhat. You may well know it anyway, given that it’s the third film in a loose series that Rose started just more than a decade ago with Ivansxtc, a dark satire on Hollywood’s agenting world and human burnout based on the writer’s lacerating The Death of Ivan Ilyich.

“Cringed” is the adjective you want to invent to describe Kate, the dipso heroine of James Ponsoldt’s Smashed who's played by Mary Elizabeth Winstead. If there’s one thing that Ponsoldt's script, co-written with Susan Burke, captures - actually, there are many - it’s the excruciating embarrassment of waking up in the morning and dimly recalling what you’ve got up to the drunken night before.

The Blue Nile: A Walk Across The Rooftops, Hats

Graeme Thomson

The Blue Nile occupy a unique spot in the musical landscape. Formed in 1980 by Glasgow University graduates Paul Buchanan, Paul Joseph Moore and Robert Bell, four albums in 30 years suggests a certain neurotic creative sensibility which resulted in a pretty slim legacy but served the music well.

Often portrayed as corrupt or, at best, on the front line of a war zone, the officers of the LAPD are regulars on the big and small screen. On TV, Southland and The Shield have examined the LAPD in microscopic detail and earlier this year Rampart intermittently impressed with its focus on one cop in freefall. With police procedural End of Watch writer-director David Ayer is on home turf: he’s the man behind several LA-set police thrillers, including Training Day (for which he penned the screenplay).

In time-honoured fashion, hope sprang eternal for the British contenders in the 64th Primetime Emmy Awards, held last night in Los Angeles. Downton Abbey had picked up seven major nominations (and 16 in all, including various behind-the-scenes categories), while there were also high hopes for the multi-nominated Sherlock and gongtastic possibilities for the BBC detective series Luther and its star Idris Elba. 

Gaslamp Killer is Californian DJ-producer William Bensussen, beardy Weird Al Yankovich lookalike and one of the key figures in LA’s Brainfeeder label collective. His reputation began to rise around five years ago with an LA club night called Low End Theory that would play music rooted in hip hop and electronica, far from four-to-the-floor house - tending, in fact, towards the bizarre. His debut album is much anticipated by those who like their beats broken and their synthesisers gnarly.