The Whitworth Art Gallery was showered with meteors in a spectacle devised by the artist Cornelia Parker on its reopening weekend – appropriately Valentine’s Day. The £15m project (architects MUMA) has doubled the exhibition spaces, reclaimed the Victorian Grand Hall from offices, added state-of-the-art on-site storage and more space for conservators.  

Martin Hannett & Steve Hopkins: The Invisible Girls

Due to unfortunate circumstances I am unable to give a star rating to this show; 15 minutes into the second half a cast member collapsed on stage and the performance was cancelled. At the time of posting Ted Robbins (extreme right in the picture below) was recovering in hospital, in a stable condition, and we wish him a speedy recovery.

Decamping to Manchester from Philadelphia after a personal crisis seems an unlikely move. But this is what Brian Christinzio – who is BC Camplight – did in 2012. How to Die in the North was recorded in Bredbury, near Stockport.

With a bloodthirsty, corpse-devouring plant called Audrey at the centre of events, we can only be in the Little Shop of Horrors. It’s a far cry from Jack and the Beanstalk, but the Royal Exchange is known for providing alternative and, usually, zany seasonal entertainment. And they don’t come any zanier than this, especially under Derek Bond’s zippy direction.

No one is more prescriptive than Tennessee Williams when it comes to stage and set directions. As he got older and wiser he made allowances for directors and actors to have their say. “The making of a play is, finally, a collaborative venture,” he concluded. What he would make of the Royal Exchange’s self-styled “bold adaptation” of his favourite play, winner of the Pulitzer Prize in 1955, is debatable.

In China there are more than 100 million fans of Manchester United. At least that’s what I’m told when I get to the the city's National Football Museum. And in a sartorial decision unusual in the art world, we are greeted by artist Chen Wenbo wearing an Arsenal football scarf. In sport, as in contemporary art, the Chinese are often playing the same game as us.

Staying close to his Scandinavian roots, John Storgårds, principal guest conductor of the BBC Phil and chief conductor of the Helsinki Phil, is gearing up for the celebration of Carl Nielsen’s 150th birthday next year. Being the seventh child of 12, Nielsen battled his way from poor beginnings to musical eminence, serving his time on the way as a military bandsman and, for 16 years, as a violinist in the Royal Danish Orchestra. He, too, always stayed close to his roots, even writing Danish popular songs to the end.

Sir Mark Elder has a penchant for taking on large-scale works in Manchester, from operatic concert performances of Wagner and Verdi to Hollywood musicals. Following that line, he kicked off the new Hallé season with Ravel’s Daphnis et Chloé ballet score in its entirety, described by the composer as “a vast musical fresco faithful to the Greece of my dreams”. We are used to hearing the odd suite, but rarely the whole work.