On 1 July 1916, the battalion of Lancashire volunteers recruited from Accrington was all but wiped out in about 20 minutes as they took on the task of attacking the village of Serre on the opening day of the Battle of the Somme. Out of 700 men, 235 were killed, 350 wounded, “mown down like meadow grass”. Such was the fate of the Accrington Pals, formally the 11th (Service) Battalion (Accrington) of the East Lancashire Regiment. Some of the lads were as young as 16, inspired by local pride and national patriotism to fib about their age in order to join their mates.

Once upon a time, Gyorgy Ligeti heard a rehearsal performance of a piece of music he wrote soon after graduating from the Franz Liszt Academy of Music in Budapest. Just once. Then it was banned by the Hungarian apparatchiks responsible for the arts and he had to wait another 20 years to hear it played in public. It was the Concert Romanesc (Romanian Concerto), written in 1951 and drawing from his memories of, and research into, the folk music of the Romanian Transylvania of his boyhood.

Over the past 12 years I Am Kloot have quietly built up a faithful legion of fans who look to the poetic lyrics of lead singer John Bramwell for inspiration and comfort. Sky at Night (2010) won them a Mercury Nomination for its smoky, late-night reflections. It was a slight departure from their normal fare, with a cohesive theme and full arrangements. Partly responsible for the sound were old friends, Guy Garvey (pictured below) and Craig Potter from Elbow, who produced it.

Judging by those associated with Great Night Out, it looked like ITV had found the successor to acclaimed thirtysomething drama Cold Feet. It has the same production team behind The Worst Week of My Life - one of the funniest programmes in BBC Comedy's recent output - additional material by playwright Jonathan Harvey, who is responsible for some punchily witty scripts in Coronation Street, and a cast of talented actors.

Broadcast: Berberian Sound Studio Original Soundtrack

Up to this point it’s all gone swimmingly for Manchester-based quartet Everything Everything. Their debut album Man Alive charted high in the summer of 2010, but follow-up Arc is the test of whether they’re in for the long haul. Although the answer is largely in the hands of their strong fan base, the unfocused Arc suggests the band themselves aren’t sure of who they are.

The Prodigy: The Fat of the Land 15th Anniversary Expanded Edition

Thomas H Green

Support bands tend to get short shrift, but it would be criminal not to give Evil Blizzard their due here. Made up of three bass guitarists with assorted effects pedals and a drummer who also sang, three members of the band were in pink pyjamas and wearing masks, while the fourth was in black leather and a Hawkwind hairdo. They produced industrial levels of noise around steady riffs and a variety of filthy bass sounds.

You could hardly wish for a better subject for Imagine than Jeanette Winterson. When we see her at the Edinburgh book festival, promoting her recent autobiography Why Be Happy When You Can Be Normal?, she’s got the audience eating out of her hand: they get the full "experience". Elsewhere, though, she’s quieter, reflecting on a short enough life - born in 1959, she’s only just over the half-century mark – that has been so full that Roger Parsons’ immaculate 80-minute programme took a 25-year intermission in the middle.

Having 30 “rats” running around hardly seems the stuff of festive fare, but since the begetter of the show is Carol Ann Duffy, known in her children’s writing for dark fairy tales, we might expect something different. And, after all, these rodents are actually local children dressed as ragamuffins. Rats, it seems, can be cute and not necessarily baddies – and, in any case, the Pied Piper is at hand.