Martial arts mayhem, Shaolin philosophy, a tribe of masked hip hop warriors emerging from the mist of Staten Island, a Funkadelic-Parliament collective sprawling through the music industry in the age of black mass incarceration: the Wu-Tang Clan were all these things, immediately.

Once the self proclaimed poster girl for mental illness, Ruby Wax has evolved her stand up act, because, as she puts it, “everyone has mental illness now. It spread like wildfire.”

It’s a tongue in cheek reference to the current supposed "fashion" for speaking up and out about mental health with the aim to de-stigmatise and taboo-bust – something that Wax has contributed hugely to over the years, by bravely opening up about her own journey to let other people know that it was OK to not be OK.

It would be great to herald this low-budget drama about an elderly drag queen and his friendship with a young gay singer-songwriter as a little gem of British indie cinema. But Tucked, which aims to be an odd-couple tale of heart-warming redemption, is pretty dispiriting with its slow pace and predictable plot. 

Taking place at the Theatre Royal, Andy Hamilton’s show is entitled An Evening with… rather than a straight stand-up and mainly consists of the comedy writer/performer and gameshow regular answering audience questions. During the first half this is done via raising a hand and shouting out questions; during the second half by leaving pieces of paper on the stage front during the interval.

Now going for over a dozen years, ever-busier since Live Nation took over its parent company in 2015, The Great Escape Festival is the annual multi-venue band showcase and music conference which sees Brighton swamped with music biz sorts.

Five years ago this Kneehigh Theatre production caused a stir with its vibrant modern retelling of John Gay’s 18^th century satirical classic, The Beggar’s Opera. It’s currently on tour again and it’s easy to see why a revival was greenlit.

If there’s one thing to learn from Ben Okri in this evening of conversation at Brighton Festival between the Famished Road writer and author Colin Grant it’s how to “upwake”.

The Nature of Why is not so much a concert as a multi-discipline happening. To assess it is to relate a human experience rather than just an aesthetic appreciation of the new orchestral work by Goldfrapp’s Will Gregory which is at its heart. On the surface, it’s an hour-long piece in nine short movements, interspersed with old BBC recordings of the Nobel Prize-winning American physicist Richard Feynman explaining how magnetism is unexplainable in layman’s terms.

Flight is a show by experimental Scottish theatre company Vox Motus, adapted from the novel Hinterland by Caroline Brothers. It’s about two Afghan child refugees making their way across Europe to the fabled land of “London” and is based very directly on her own interviews with asylum seekers as a journalist. So far, so narrartively straightforward but Flight is unlike anything most people will have seen.

The Komedia is a Brighton Institution and celebrates its birthday tonight in a suitably raucous fashion. The Komedia began in 1994, founded by the directors of the Umbrella Theatre Company, and styled on the cabaret spaces they’d experienced touring Europe. It moved to its current premises in 1999, turning a ramshackle labyrinthine building that housed a hippy-style market (before that a Tesco) into a labyrinthine building housing a bar-venue-cinema complex, with the central hub in the large basement.