The Ossianic Ballads, Edinburgh Quartet, Màiri MacMillan, National Library of Scotland review - good ingredients get lost in the mix

New life given to ancient Gaelic songs results in a less than lively performance

To coincide with the National Library of Scotland’s first bi-lingual exhibition Sguel/Story, an exhibition in English and Scottish Gaelic which celebrates stories and storytelling, the library presented a performance of newly reinterpreted Gaelic ballads with string quartet arrangements from composer Ned Bigham.

Nick Pritchard, Ian Tindale, Edinburgh International Festival 2023 review - a partnership in which to lose yourself

★★★★★ NICK PRITCHARD, IAN TINDALE, EDINBURGH FESTIVAL Standout Queen's Hall recital

A heart-meltingly beautiful tenor and piano team in a sadly undersold Queen’s Hall

Several years ago I got chatting to a young tenor who was training at the Royal Northern College of Music. He was enjoying his studies, but complained that, as a British tenor, he got offered a lot of Britten and Handel but not an awful lot else.

Dimanche, Edinburgh International Festival 2023 review - troubling and bewildering

Climate change gets an exquisitely beautiful, gently humorous treatment by two Belgian puppetry and mime companies

A toy car – in fact, a mobile home with comically enormous antenna on top – shudders over arms and shoulders as if they were mountain ranges. A colossal polar bear comforts its curious cub. A lifesize puppet grandmother is chased up and down stairs by her over-enthusiastic stairlift.

Castalian Quartet, Edinburgh International Festival 2023 review - nothing taken for granted

★★★★★ CASTALIAN QUARTET, EDINBURGH FESTIVAL Nothing taken for granted

A tightly constructed programme, including a surprising Turnage premiere

This concert, the Edinburgh International Festival debut of the Castalian Quartet, almost didn’t happen due to the illness of their second violin, Daniel Roberts. Then, a couple of days ago, in stepped Yume Fujise, leader of the Kleio Quartet, to save the day, which is no mean feat considering that this programme featured both a world premiere and the knottiest of Beethoven’s late quartets.