Napoleon, BBC Two

Historian Andrew Roberts analyses how the Little Corporal came to rule an empire of 40 million people

It is irresistible to watch Andrew Roberts, the ambitious historian of one of history's most ambitious figures, narrating a three-part account of his hero’s life and times. He is giving us a superb analysis of Napoleon Bonaparte’s gifts, flaws, insecurities and achievements. 

Tawadros, AAM, Tognetti, Milton Court

Vivaldi meets the Levant in a vibrant mix of strings

Fusion between Christian Venice and the Ottoman east started up at least as early as the 15th century, accompanied by a superb portrait of Sultan Mehmet II attributed to Gentile Bellini (pictured below). So what Egyptian-born oud (read oriental lute) player Joseph Tawadros and that febrile Australian Richard Tognetti with members of the Academy of Ancient Music in cheerful tow were trying to do last night had honourable precedents. Their vibrant mix turned out to be exactly the sort of high level east-west happening not on the programme of this year’s Proms.

Anzac Girls, More4

ANZAC GIRLS, MORE4 Australian nurses-at-war drama lacks gravitas (and a decent budget)

Australian nurses-at-war drama lacks gravitas (and a decent budget)

For Australians and New Zealanders, the grim meat-grinder of the Gallipoli campaign in 1915 was their equivalent of the Somme, albeit under brilliant Aegean skies. The Australian-made Anzac Girls is based on real-life diaries and letters from the era, and homes in on five nurses from Down Under who were sent to treat the casualties. Inevitably they found conditions far more shocking and horrific than they'd imagined.

Hillary Clinton: The Power of Women, BBC Two

Awkward documentary draws few conclusions from a 20-year fight for women's rights

If the mark of a good documentary is that it teaches you something new, then the awkwardly titled Hillary Clinton: The Power of Women was a very good documentary indeed.

Exodus: Gods and Kings

EXODUS: GODS AND KINGS Ridley Scott's Biblical epic can't decide whether to be ancient or modern

Ridley Scott's Biblical epic can't decide whether to be ancient or modern

I wish Mel Brooks had directed this, but instead we've got the sort of stodgy techno-epic that has become all too common from the auteur-ial hand of Ridley Scott. Ridley's 150-minute rehashing of the Biblical story of Moses is often a feast for the eyes (especially in 3D), with its vast Egyptian panoramas and stunningly mounted action sequences, but the characters are largely cardboard, the dialogue is dire and a lot of very good actors are given nothing of any consequence to do. Did somebody mention Kingdom of Heaven?

Moses und Aron, Welsh National Opera

MOSES UND ARON, WELSH NATIONAL OPERA Schoenberg's esoteric masterpiece makes its point despite directors' cop-out

Schoenberg's esoteric masterpiece makes its point despite directors' cop-out

Schoenberg’s last, unfinished, opera, seldom staged, might almost have been written for the Welsh. At its heart is some of the most refined and intricate choral writing since Bach, but linked to stage directions so complicated that one wonders whether the composer had any idea of the technical difficulties he was putting in the way of a fully realized production. The fact that this new WNO production funks most of the stage business is not the fault of the company’s truly marvellous chorus, whose musical performance alone would be worth twice the ticket price.

Total War: Rome II

The epic realtime strategy series has outreached itself

The greatest strategy videogames deliver a balance of time to think and pressure to act. The greatest strategy videogames deliver the thrill of battle mixed with clear strategic choice. Several entries in the Total War series count as great strategy games. But not this one. The eighth in the series fails on two distinct fronts, both in terms of execution – vital to keep its hardcore of fans engaged – and in terms of engaging content for new players.

Winter of Discontent

Hopes and fears of three people against the background of Cairo uprising

The final words we see in subtitles in Ibrahim El Batout’s Winter of Discontent, a film centred on the events that began in Cairo’s Tahrir Square on 25 January 2011 and would go on to change Egypt’s future, could not read more ominously today: “And counting…” They refer to the death toll in the popular uprising that would depose Hosni Mubarak, bringing a degree of freedom that Egypt had not known for 30 years. They assume new poignancy in the light of the recent events we have been watching on news reports from the country, 30 months on from those first protestations.

Complicit, Channel 4

Screenwriter Guy Hibbert asks the difficult questions about the counter-terrorism business

It was the moment when we learned that Sergeant Nick Brody really had been converted into an Islamist agent that the spring went out of Homeland's step. Complicit doesn't make the same mistake. Skilfully spun out over its movie-length span, it's a probing examination of the ambiguities and uncertainties that bedevil intelligence work. It won't make you sleep any easier at night.

Arab Nights, Soho Theatre

ARAB NIGHTS, SOHO THEATRE A topical, pared-down adaptation of The 1001 Arabian Nights

A topical, pared-down adaptation of The 1001 Arabian Nights

Given the present Middle East uproar, perhaps we shouldn’t be surprised that contemporary versions of The 1001 Arabian Nights are sprouting everywhere. With their variety of stories and roots in countries undergoing such political upheaval, they offer rich and important pickings.