Edinburgh International Festival 2019: MacMillan birthday concerts - searing world premiere

★★★★★ EDINBURGH FESTIVAL: MACMILLAN BIRTHDAY CONCERTS Searing world premiere

Triumphant new choral symphony for our rudderless times

To celebrate the 60th birthday of Sir James MacMillan, the Edinburgh International Festival has programmed his music over five concerts, including the Nash Ensemble with Fourteen Little Pictures, the National Youth Choir of Scotland with All the Hills and Vales Along, and the Royal Scottish National Orchestra and the Festival Chorus with the cantata Quickening.

Edinburgh Fringe 2019 review: How Not to Drown

★★★★ HOW NOT TO DROWN Autobiographical refugee story feels like a boy's own adventure

Autobiographical refugee story feels like a boy's own adventure

Urgent, fast-paced, seemingly never pausing for breath, How Not to Drown is a real-life boy’s own adventure, an appeal for compassion towards refugees, and an interrogation of nationality and identity. That’s quite a mix for a show of 100 minutes.

Edinburgh International Festival 2019 review: Total Immediate Collective Imminent Terrestrial Salvation

★★★★ EDINBURGH FESTIVAL: TOTAL IMMEDIATE COLLECTIVE IMMINENT TERRESTRIAL SALVATION Messianic devotion and audience complicity in a slippery new work from Tim Crouch

Messianic devotion and audience complicity in a slippery new work from Tim Crouch

It’s the end of the world as we know it. At least according to Miles, scientist turned messiah, who lost his son in an accident at a frozen lake, and who experienced visions of an impending apocalypse in his subsequent coma.

He’s established a colony of believers (let’s not call it a cult) in South America, and we’re here to bear witness to the arrival of his estranged wife, intent on reclaiming their daughter back to civilisation.

Edinburgh International Festival 2019 review: Roots

★★★★ ROOTS Captivating and macabre, 1927's new show marks a partial return to their own origins

Captivating and macabre, 1927's new show marks a partial return to their own origins

A fat cat who gobbles up everything in sight. A king who tests his wife’s fidelity with increasingly horrific trials. A man whose flatmate is Poverty. It’s hard to ignore the scathing contemporary resonances in theatre company 1927’s sly, witty new Roots, getting its first European performances at the Edinburgh International Festival.