Urgent, fast-paced, seemingly never pausing for breath, How Not to Drown is a real-life boy’s own adventure, an appeal for compassion towards refugees, and an interrogation of nationality and identity. That’s quite a mix for a show of 100 minutes.

If nothing else, Arabella Weir quips, she can thank her mother for providing the material for her first Fringe show.

It’s the end of the world as we know it. At least according to Miles, scientist turned messiah, who lost his son in an accident at a frozen lake, and who experienced visions of an impending apocalypse in his subsequent coma.

He’s established a colony of believers (let’s not call it a cult) in South America, and we’re here to bear witness to the arrival of his estranged wife, intent on reclaiming their daughter back to civilisation.

A fat cat who gobbles up everything in sight. A king who tests his wife’s fidelity with increasingly horrific trials. A man whose flatmate is Poverty. It’s hard to ignore the scathing contemporary resonances in theatre company 1927’s sly, witty new Roots, getting its first European performances at the Edinburgh International Festival.

Darren McGarvey AKA Loki: Scotland Today The Stand's New Town Theatre ★★★★★   

Sea Sick CanadaHub ★★★★   

Deer Woman CanadaHub ★★★   

Physical theatre company Theatre Re are virtually Fringe royalty these days, with a several-year history of fine shows under their belts, plus success internationally and at the London Mime Festival.

Chekhov famously pronounced that if you’re going to bring a gun on stage, you’ve got to use it. Is the same true for a chainsaw? To discover the answer, just head along to Meghan Tyler’s wild, over-the-top, gruesome Crocodile Fever at the Traverse Theatre.

Who’d have thought a play about a homophobic hate crime could be so much fun? Well, maybe that’s overstating things a little.