Wyn, Dwyer, McAteer, RSNO & Choirs, Diakun, Usher Hall, Edinburgh review - ebullient but bitty

‘Carmina Burana’ is fun in parts, but Langer’s ‘Dong’ doesn’t flow

Carmina Burana isn’t a masterpiece: it’s primarily a bit of fun; fun to listen to, fun to play, really fun to sing.

Few and far between are the performances where it ever manages to be much more than that, though this RSNO concert came close, mainly thanks to the conducting of Marzena Diakun, making her debut with the orchestra. The faster, louder sections were kept on an admirably tight leash so that the opening two "Fortuna" choruses really crackled, and the rumbustious choruses in the tavern were a hoot, the percussion giving it what can only be described as “welly.”

Rachel Chinouriri, Queen Margaret Union, Glasgow review - a formidable and genre-hopping talent

The singer lifted elements from throughout pop history during an exciting set

It appears Rachel Chinouriri has a good memory. “I remember you!” she yelled excitedly to one fan early on, highlighting that she currently sits in a nice position – popular enough to be playing busy shows in decently sized venues, but at a level where she can still see the eager faces looking back at her.

Isabel LaRosa, Saint Luke's and the Winged Ox, Glasgow review - TikTok pop and a school disco atmosphere

The up-and-coming pop star was lively but one-dimensional

The bar staff at Saint Luke’s will rarely have had an easier night than this one. Such was the youthful nature of the crowd for Isabel LaRosa that there was little for them to do, beyond handing over occasional cans of Coke.

The atmosphere felt like a school disco, from constant sing-a-longs to whatever was blaring out over the PA (and a mass dance routine when Chappell Roan’s "Hot to Go" kicked in) to gaggles of arm-locked girls hurrying back and forth across the floor ahead of the main event.

Since Yesterday review - championing a neglected female music scene

★★★★ SINCE YESTERDAY The unjustly underrated world of Scotland's women bands

A chronological journey through the unjustly underrated world of Scotland's women bands

Since Yesterday: The Untold Story of Scotland's Girl Bands is one of those films that, perhaps embarrassingly, feels very necessary. An examination of the history of solely all female bands in Scotland since the 1960s, it is a great demonstration of how little seems to have changed, particularly when it comes to the industry’s perceived "risk" when backing these groups.

Public Service Broadcasting, Barrowland, Glasgow review - history given euphoric life

★★★★ PUBLIC SERVICE BROADCASTING, GLASGOW History given euphoric life

From Ameila Earhart to the space race, the quartet were as creative as ever

The years may go by and the albums might change, but there are always a few constants with Public Service Broadcasting. There is the recorded message that precedes their arrival for one, a disembodied voice booming out to inform the crowd to put their phones away and not talk loudly.

The Outrun review - Saoirse Ronan is astonishing as an alcoholic fighting for recovery

★★★★★ THE OUTRUN Saoirse Ronan is astonishing as an alcoholic fighting for recovery

Pitch-perfect adaptation of Orcadian Amy Liptrot's memoir, skilfully directed

In 2016, Amy Liptrot made a fine publishing debut with a memoir about her alcoholism, The Outrun. Now she has co-written a film based on her book that is a significant achievement in its own right. It’s also the promising debut of Saoirse Ronan and her husband actor Jack Lowden as producers. 

Gossip, SWG3, Glasgow review - powerhouse voice provokes only an intermittent party

Beth Ditto was on superb form, but her band's sound struggled to find a groove

Beth Ditto protests too much. 'Do you feel young" she hollered early on, before adding "I don't", one of several references during the gig to her age now being 43. Yet the Gossip singer still displayed the glee and energy of a teenager at their first show, even if her band are now into the reunion phase of a career spanning over two decades. 

Girl in Red, Barrowland, Glasgow review - rarely has vulnerability been so giddy

Marie Ulven was on chatty, lively form in front of an adoring audience.

Marie Ulven had not even stepped onstage and her fans were in raptures. Such was the level of excitement for her second night in Glasgow that sing-a-longs to Chappel Roan and Sabrina Carpenter were ringing out almost as soon as support act Nieve Ella had departed.