To Futureproof is to ensure that we don’t become technologically obsolete, but keep in touch with as yet undeveloped technologies and exploit those already in the ether. It’s an apt title for this exhibition of work by 16 graduates from the five Scottish university photography departments. That most are already future-proofing themselves is apparent in their diverse approaches to their work.

A Balanchine on a mixed bill is a reminder of what a choreographer should desire to offer his audience: a specific new experience of art each time,  not a repeated thumbprint in every ballet. Balanchine grew up in a borderless theatre country - jazz, music hall, Broadway, Cubism, Russian imperialism, folklore, classical piano studies, all soaked his personality and fed his imagination.

“All over the world children are safe – but not here, not on my ship.” Despite its wild pack of homeless children, a flesh-eating crocodile and some of the most gut-punching depictions of parental grief in all literature, J M Barrie’s Peter Pan has somehow been consigned to the theatrical remainders bin, its old-fashioned sentimentality acceptable really only at Christmas, or in pantomime form.